Music
Now, Mbaye Dieye Faye is famous singer and percussionist in Senegal. He makes rhythm in his music, the Mbalax. What makes Mbaye Faye famous is not only his ability to beat the drum but his way of dancing and giving life in his concerts. Since he is always a “griot”, he knows how to make himself listened to. He is a court musician; he sang praise and told the history of people or the region which interest people. The advertisements also make him popular.
Formally, the Senegalese Mbalax was not very rhythmic because they used only drums and some traditional instruments. However, it changed completely with the modern musicians particularly Mbaye Dieye Faye. In fact, this latter with the new instruments such as the piano, the guitar, the saxophone plays a mixed music meaning the traditional music and the modern one—for instance, the beat of drums and the blare of trumpets.
Mbaye Dieye Faye has composed some albums, such as Songama, Live biir Thiossane, Oupoukay, and others. Songoma is the most famous, and the one most appreciated by the audience. This music had caused many problems because of religious principles. Indeed, it is a dance which required a certain way of dressing. It is called “Joubax out”, missing Wolof and English which means literally “navel out”. To attract more attention, girls wore indecent, tied, and transparent clothes. They must look like prostitutes to be exciting. However, others think that “songoma” is only a dance like all dances. It brings people to be more friends, to enjoy oneself. So, even in families, people can dance it just for pleasure.
Live in Thiossane, is also a very famous album. The wolof word “Thiossane” is a dancing night club owned by Youssou Ndour.Oupoukay brought much pleasure to people. The rhythm and the sound were wonderful.
Mbaye Dieye Faye is the percussionist of ”Super Etoile” band. But he has a tendency to sing at the same time with Youssou Ndour. He plays an important role in the band. Mbaye Dieye Faye has his own style in music, very much appreciated by Senegalese people, particularly women. In “Mbalax” rhythm, he introduced—as he calls it—“Khorom” (Salt ). Nobody can dance to his music without getting tired. Indeed, it is very hard to follow his drums. And it’s like making sport, because dancing his music means jumping, moving one’s body, and all members. So, nothing must be calm.
The role of Mbaye Dieye Faye in the band is also to make entertainment adequately. He is a griot, a repository of oral tradition, a praise singer, but he is more interested in singing love and romance. Most of the time he uses “Tassou”, a kind of speech with some rhythms, reminding one of rap music. That is mainly for amusing people, but often, speeches contain vulgar expressions. And for him, it is for exciting dancers, and having them moving more.
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Famous quotes containing the word music:
“There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes
By the deep sea, and music in its roar:
I love not man the less, but nature more,”
—George Gordon Noel Byron (1788–1824)
“... the majority of colored men do not yet think it worth while that women aspire to higher education.... The three R’s, a little music and a good deal of dancing, a first rate dress-maker and a bottle of magnolia balm, are quite enough generally to render charming any woman possessed of tact and the capacity for worshipping masculinity.”
—Anna Julia Cooper (1859–1964)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)