Max Scheler - Major Works (English Translations)

Major Works (English Translations)

  • Philosophical Perspectives. translated by Oscar Haac. Boston: Beacon Press. 1958. 144 pages. (German title: Philosophische Weltanschauung.)
  • On the Eternal in Man. translated by Bernard Noble. London: SCM Press. 1960. 480 pages.
  • The Nature of Sympathy. translated by Peter Heath. New York: Archon Books. 1970. 274 pages. ISBN 0-208-01401-2.
  • Ressentiment. edited by Lewis A. Coser, translated by William W. Holdheim. New York: Schocken. 1972. 201 pages. ISBN 0-8052-0370-2.
  • Selected Philosophical Essays. translated by David R. Lachterman. Evanston, Illinois: Northwestern University Press. 1973. 359 pages. ISBN 0-8101-0379-6.
  • Formalism in Ethics and Non-Formal Ethics of Values: A new attempt toward the foundation of an ethical personalism. translated by Manfred S. Frings and Roger L. Funk. Evanston, Illinois: Northwestern University Press. 1973. 620 pages. ISBN 0-8101-0415-6. (Original German edition: Der Formalismus in der Ethik und die materiale Wertethik, 1913-16.)
  • Problems of a Sociology of Knowledge. translated by Manfred S. Frings. London: Routledge & Kegan Paul. 1980. 239 pages. ISBN 0-7100-0302-1.
  • Person and Self-value: three essays. edited and partially translated by Manfred S. Frings. Boston: Nijhoff. 1987. 201 pages. ISBN 90-247-3380-4.
  • On Feeling, Knowing, and Valuing. Selected Writings. edited and partially translated by Harold J. Bershady. Chicago: University of Chicago Press. 1992. 267 pages. ISBN 0-226-73671-7.
  • The Human Place in the Cosmos. translated by Manfred Frings. Evanston: Northwestern University Press. 2009. 79 pages. ISBN 978-0-8101-2529-2.

Read more about this topic:  Max Scheler

Famous quotes containing the words major and/or works:

    “A dead martyr is just another corpse.”
    —Leo V. Gordon, U.S. screenwriter, and Arthur Hiller. Major Craig (Rock Hudson)

    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
    —Thomas Mann (1875–1955)