Style
The films of Maurice Pialat are often noted for their loose yet rigorous style and for their somewhat elliptical editing, which emphasizes an unsentimental worldview. Describing the unique aesthetics of Pialat's work, film critic Kent Jones wrote: "Even more than Jean Eustache Pialat was an irascibly private artist, charting a twisted, crook-backed path with each new movie, almost always emerging with works in which the mind-bending vitality of immediate experience trumps all belief systems, allegiances, plans. More than Cassavetes, more than Renoir, Pialat wanted every frame of celluloid bearing his name to be marked by the here and the now. He was always willing to bend his narratives around experience. And the frequent ruptures, discontinuities, perspective shifts, and ellipses in his work are less single-minded than those of Cassavetes, more far-reaching in their implications."
Pialat's work is marked by the use of long takes, which often feed from sudden peaks of dramatic intensity in character interaction. He also has played supporting roles in some of his movies.
Read more about this topic: Maurice Pialat
Famous quotes containing the word style:
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“I never knew a writer yet who took the smallest pains with his style and was at the same time readable.”
—Samuel Butler (1835–1902)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)