Early Years and TV Star
Troisi was born into a large family in San Giorgio a Cremano, a town near Naples. His father was a train engineer. Some of his family experiences were later told in his first movies. After high school, Troisi wrote some poems inspired by his favourite author, Pier Paolo Pasolini, and, in 1969, started to play in a small local theatre together with some childhood friends (including Lello Arena and Enzo Decaro). The early death of his mother condemned Troisi to a harsh period of activity, which is said to have had a role in the development of his increasingly serious heart problems which were brought on during his teenage years from bouts of rheumatic fever. (In 1976 he had to visit the United States for a heart valve operation, the expenses for which were paid with the help of his friends.)
Troisi started his artistic career as a cabaret showman in 1972, as a member of the comic trio called "I Saraceni" ("The Saracens") and, later, "La Smorfia" (from the name of the "book of the numbers" traditionally used in Naples for lottery and tombola, but also meaning "the face", as in "to make a face"). His mates were De Caro and Arena. They gained national fame on the radio and increased it consistently from 1977 onwards eventually becoming TV stars with the shows Non Stop, La sberla (1978) and Luna Park (1979). Troisi soon gained the status of leader of the trio. He was noted for his use of facial mimicry and of apparently confused speech—in these he drew inspiration from such famous figures of Neapolitan comedy as Totò, and Eduardo and Peppino De Filippo.
Read more about this topic: Massimo Troisi
Famous quotes containing the words early, years and/or star:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892–?)
“You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.”
—Jane Austen (1775–1817)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)