Cinema
Troisi wrote, directed, and starred in his first film, Ricomincio da tre ("I Start Over from Three") in 1981. He achieved wide success and critical praise, establishing himself as one of the most talented new Italian directors of the 1980s. Like his second movie, Ricomincio da tre is centered on the troublesome love life of a Neapolitan character, partly inspired by Troisi's youth, as well as featuring Lello Arena. Scusate il ritardo, similar to the preceding one, was released in 1983, and Massimo Troisi did have as co-starring Giuliana De Sio.
Troisi starred opposite Roberto Benigni in Non ci resta che piangere (1985), in which they play two friends who are accidentally transported back in time to the 15th century; there they meet Leonardo da Vinci and, upon realising which age they are in, travel to Spain to try to stop Christopher Columbus from discovering the Americas.
After some small acting roles, in 1987 Troisi directed Le vie del Signore sono finite, set during the Fascist era. The movie won a Silver Ribbon for best screenplay. In the following years, he starred alongside Marcello Mastroianni, in Ettore Scola's Splendor (1988), Che ora รจ? (1989) and Il viaggio di Capitan Fracassa (1990). His last movie as director (also as screenwriter and actor) was Pensavo fosse amore, invece era un calesse (1991), again centering on the every day difficulties of love between a man and a woman (portrayed by Francesca Neri).
Read more about this topic: Massimo Troisi
Famous quotes containing the word cinema:
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)
“Photography is truth. The cinema is truth twenty-four times per second.”
—Jean-Luc Godard (b. 1930)
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)