Life and Career
In 1982, along with filmmakers Yoshiho Fukuoka, Itsumichi Isomura, Toshiyuki Mizutani and Akira Yoneda, Suo founded a production company called Unit 5. Suo worked as an assistant director and appeared in the cast of Kiyoshi Kurosawa's directorial debut, the pink film Kandagawa Pervert Wars (1983). At this early stage in his career, Suo also wrote scripts for the pink film genre, such as Scanty Panty Doll: Pungent Aroma (1983). Suo first film as director was also in the pink film genre: Abnormal Family: Older Brother's Bride (1984), a film designed as a tribute and satire of Yasujirō Ozu's Tokyo Story. In his book on the pink film, Behind the Pink Curtain (2008), Jasper Sharp calls Abnormal Family: Older Brother's Bride an early masterpiece, and one of the wittiest films ever made in the genre. Suo not only pokes gentle fun at Ozu's story, but also mimics many of his stylistic techniques, such as shooting his actors from a low, tatami-mat angle, stiff and static characters speaking to each other with mis-matched eye-angles, and a simple, sentimental melody which accompanies the film. In the years since its release, the film has amused film students with the activity of locating and identifying Suo's many nods to Ozu and his oeuvre. Abnormal Family was Suo's only directorial work in the pink film genre.
He next worked for Jūzō Itami, to film "making of" pieces for that director's A Taxing Woman (1987) and A Taxing Woman 2 (1988). He made his regular feature film debut with Fancy Dance in 1989, and won the Directors Guild of Japan New Directors Award for his next feature, Sumo Do, Sumo Don't, in 1991. He also directed the 2006 legal film I Just Didn't Do It and the 2012 medical-themed film A Terminal Trust.
Read more about this topic: Masayuki Suo
Famous quotes containing the words life and/or career:
“The Spirit of Place [does not] exert its full influence upon a newcomer until the old inhabitant is dead or absorbed. So America.... The moment the last nuclei of Red [Indian] life break up in America, then the white men will have to reckon with the full force of the demon of the continent.”
—D.H. (David Herbert)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)