Mary Wesley - Writing Style and Themes

Writing Style and Themes

Her take on life reveals a sharp and critical eye which neatly dissects the idiosyncrasies of genteel England with humor, compassion and irony, detailing in particular sexual and emotional values. Her style has been described as "arsenic without the old lace". Others have described it as "Jane Austen plus sex", a description Mary Wesley herself thought ridiculous. As a woman who was liberated before her time Mary Wesley challenged social assumptions about the old, confessed to bad behaviour, recommended sex. In doing so she smashed the stereotype of the disapproving, judgmental, past-it, old person. This delighted the old and intrigued the young.

In Wesley's books there are some references to her own life, although she denied that her novels were autobiographical. Her books usually take place in or around the everlasting house, the idyllic refuge, recalling her time with Siepmann, living in a remote cottage in the West Country. Other recurring themes such as the dysfunctional family, the uncertain paternity, the affirmation of illegitimacy, can also be linked to her own life. In addition, thanks to her flighty youth, sex would become her trademark in her books though she wrote about what went on in the head rather than a user's manual. Incest also plays a part in several of her novels, but Wesley never mentioned this as a feature of her own life. She may however have gained her insight from her years working as a Samaritan.

Read more about this topic:  Mary Wesley

Famous quotes containing the words writing, style and/or themes:

    The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
    Ernest Hemingway (1899–1961)

    Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.
    Alexander Theroux (b. 1940)

    In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.
    Barbara Ehrenreich (b. 1941)