Writing Style and Themes
Her take on life reveals a sharp and critical eye which neatly dissects the idiosyncrasies of genteel England with humor, compassion and irony, detailing in particular sexual and emotional values. Her style has been described as "arsenic without the old lace". Others have described it as "Jane Austen plus sex", a description Mary Wesley herself thought ridiculous. As a woman who was liberated before her time Mary Wesley challenged social assumptions about the old, confessed to bad behaviour, recommended sex. In doing so she smashed the stereotype of the disapproving, judgmental, past-it, old person. This delighted the old and intrigued the young.
In Wesley's books there are some references to her own life, although she denied that her novels were autobiographical. Her books usually take place in or around the everlasting house, the idyllic refuge, recalling her time with Siepmann, living in a remote cottage in the West Country. Other recurring themes such as the dysfunctional family, the uncertain paternity, the affirmation of illegitimacy, can also be linked to her own life. In addition, thanks to her flighty youth, sex would become her trademark in her books though she wrote about what went on in the head rather than a user's manual. Incest also plays a part in several of her novels, but Wesley never mentioned this as a feature of her own life. She may however have gained her insight from her years working as a Samaritan.
Read more about this topic: Mary Wesley
Famous quotes containing the words writing, style and/or themes:
“No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.”
—Nathaniel Hawthorne (1804–1864)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (1817–1862)