Works
- De "Verzameling van brieven, gewisseld tusschen Valerius Publicola te Amsterdam en Caius Manlius te Utrecht" 1804
- Oproeping van het Bataafsche volk, om deszelfs denkwijze en wil openlijk aan den dag te leggen, tegen de overheersching door eenen vreemdeling, waarmede het vaderland bedreigd wordt (Amsterdam 1806). (This was probably the work of Samuel Wiselius, but the pamphlet only appeared under her name.)
- Droevige klagt van een aalmoeseniers-weeskind (z.p. 1808).
- Waarschouwing tegen de requisitie, welke men in ons vaderland wil invoeren (Haarlem 1809).
- Peace republican’s manual, or the French constitution of 1793 and the Declaration of the rights of man and of citizens (New York 1817).
- Gevolgen der voldoening, of iets over de vrage: Verkondigt Gods heilig woord, dat een gedeelte van het menschelijk geslacht, hier namaals, zonder einde boosaardig en lijdend zal blijven; of verkondigt hetzelve de eindelijke zaligheid van alle menschen? (Amsterdam 1820).
- De koepok-inenting beschouwd, en tien bedenkingen overwogen: voor minkundigen (Amsterdam 1827).
Read more about this topic: Maria Aletta Hulshoff
Famous quotes containing the word works:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)