Music
In 1995 Hobbs began integrating his software expertise with music composition, purchasing numerous electronic instruments including a Devilfish (a modified Roland TB-303) and a Kyma (sound design language) from Symbolic Sound Corporation. He was introduced to microtonalist and music theorist Erv Wilson by Carla Scaletti and Kurt J. Hebel. He created many software instruments which implemented several of Wilson's tuning theories such as Moments Of Symmetry, Combination Product Sets.
In 1998 he released his first album From On High under the name Marcus Satellite. Each track features software instruments tuned to a different tuning of Wilson's and lyrics and vocals by American singer and songwriter K Blu. The project was sequenced using Steinberg Cubase.
In 2002 he completed his second album Way Beyond, Way Above, a collaboration with Russian singer and songwriter Masha d'Elephenden. The project featured Kyma software instruments, a Roland MC-505, a Roland MC-303, sequenced on an Apple Power Mac G4 using Steinberg Cubase. The album was released 2007.
In 2004 he completed his third album My Silent Wings, a collaboration with English singer and songwriter Rocket Excelsior. This was Hobbs' first album to use only software instruments, rendered on an Apple Macintosh G4. Hobbs also switched sequencers to Ableton Live. The computation necessary to render the many layers of software instruments required many passes and motivated Hobbs to search for more efficient synthesis methods. The album has yet to be released.
In 2006 he released 9 microtonal singles A Boy Named Peace, A Girl Named Love, The Exquisite Corpses Play Darwin, Full Moon Fire, I Love, I, Marcus, Scaling Lambdoma 6, Stormy Eyes, To The Moon, and Trading Tykes The Magick Words. Hobbs invested nearly 6 months programming software instruments in Native Instruments's Reaktor and purchased a Power Mac G5 to achieve real-time rendering of each of these works.
In 2007 he released The Marcus Satellite Tribute To U2, consisting of 13 electronica cover songs of popular U2 songs. The work is faithful to the form of the original songs, and features dozens of layers of software synthesizers rendered in real-time.
Hobbs has also scored the forthcoming independent film, Desert Vows.
Read more about this topic: Marcus Warren Hobbs
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“Now the rich stream of Music winds along
Deep, majestic, smooth, and strong,”
—Thomas Gray (1716–1771)
“The music in my heart I bore,
Long after it was heard no more.”
—William Wordsworth (1770–1850)
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)