Symbols
The world of the novel draws heavily upon the symbolic meaning of locations and events. The first critic to raise this aspect was Virginia Woolf.
For instance, the ha-ha in Sotherton Court is a boundary which some will cross, while others will not, thus indicating the future moral infringements of Maria Bertram and Henry Crawford. Later on in the novel, the theatricals (based upon Lovers' Vows) in which the company is involved at the request of Tom Bertram (with the exception of Fanny Price) is further indication of real life future behaviours.
Even the game of speculation has been viewed as a symbol, a "metaphor for the game Mary Crawford is playing, with Edmund as stake", according to David Selwyn.
Read more about this topic: Mansfield Park
Famous quotes containing the word symbols:
“The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.”
—Louise Bourgeois (b. 1911)
“As usual I finish the day before the sea, sumptuous this evening beneath the moon, which writes Arab symbols with phosphorescent streaks on the slow swells. There is no end to the sky and the waters. How well they accompany sadness!”
—Albert Camus (1913–1960)
“Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-class parents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement—a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.”
—David Elkind (20th century)