Entry Into Cinema
Manorama, in her early stage was an amateur drama artist,acted in few dramas of 'Vairam nataka sabha' in small roles.Once she went to see a drama of S.S.Rajendran who camped in Pudukkotai, Tamilnadu, she was introduced to SSR by one Mr P.A.Kumar .She showed her talent of dialogue delivery to SSR who offered her to join in S.S.R NATAKA MANDRAM and played in hundreds of stages all over tamilnadu the dramas named Manimagudam,Thenpandiveeran and pudhuvellam. Manorama slowly migrated from dramas to the silver screen with the role of a heroine in the Tamil film Malayitta Mangai.A lead role given to her by Kavignar Kannadasan. Then, she concentrated more on comedy. She was given equally challenging roles alongside the well known comedian Nagesh. They made an excellent pair and acted in many praiseworthy comedies.
The first song that Manorama sang in cinema was in a film called Magale Un Samathu. The producer of this film, P. A. Kumar had seen Manorama perform in dramas and gave her the opportunity to sing. The song was composed by G. K. Venkatesh, famous yesteryear music director, with whom Ilaiyaraja had worked as an assistant. Manorama sang this song along with L. R. Eswari, another famous yesteryear Tamil singer. "Thaatha thaatha pidi kudu... Indha thalladha vayasila sadugudu..." were the beginning lines of this song. However, "Vaa vaathiyaare uttaande..." composed by music director V. Kumar for the film Bommalattam, was the first song that became a hit for her. She performed along with Cho Ramaswamy in this song.
Read more about this topic: Manorama (actress)
Famous quotes containing the words entry into, entry and/or cinema:
“All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.”
—Sally Placksin (20th century)
“When women can support themselves, have entry to all the trades and professions, with a house of their own over their heads and a bank account, they will own their bodies and be dictators in the social realm.”
—Elizabeth Cady Stanton (1815–1902)
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)