History
The Manhattan School of Music was founded in 1917–1918 by the pianist and philanthropist Janet D. Schenck, as the Neighborhood Music School. Initially located at the Union Settlement Association on East 104th St in Manhattan's East Harlem neighborhood, the school moved into a brownstone building at East 105th St. Pablo Casals and Harold Bauer were among the first of many distinguished artists who offered guidance to the School. Eventually, its name was changed to Manhattan School of Music.
In 1943, the artistic and academic growth of the School resulted in a charter amendment to grant the bachelor of music degree. Two subsequent amendments authorized the offering in 1947 of the master of music degree and, in 1974, the degree of doctor of musical arts. In 1956, Dr. Schenck retired and John Brownlee, noted Metropolitan Opera baritone, was appointed director, a title later revised to president. President Brownlee initiated the idea of relocating the School to the Morningside Heights neighborhood; his death occurred only months before his efforts were realized. In 1969, George Schick, Metropolitan Opera conductor, accompanist, and distinguished opera coach, succeeded Brownlee as president and led the School's move to its present location. He created the opera program, while all other major school functions are managed by Senior Director Stanley Bednar.
John O. Crosby, founder and general director of the Santa Fe Opera, was appointed president in 1976. He was followed by Gideon W. Waldrop, who was appointed in 1986, and Peter C. Simon in 1989. On July 1, 1992, Marta Casals Istomin was named President, a position which she held until October 2005 when she retired.
Dr. Robert Sirota, former director of the Peabody Institute of the Johns Hopkins University, who took over the presidency of the Manhattan School in 2005 has announced that he will be stepping down from the position.
Read more about this topic: Manhattan School Of Music Precollege Division
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“When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?”
—David Hume (1711–1776)