Technical Style
The soliloquies are presented naturalistically as voiceover narration and without the unambiguous emotional subtext of a conventional musical score. Instead, the actors' voices are heard sotto voce accompanied by the atonal wails and drones of the Third Ear Band. As in his earlier Repulsion (1965), Polanski employs ominously unnatural silences and amplified sounds to create a sense of enveloping discomfort and dread.
When Macbeth confronts the Witches a second time and is invited to gaze into their cauldron to glimpse his future, the scene becomes a cryptic, hallucinatory set piece in which Polanski makes a rare use of cascading montage imagery. Macbeth is warned by his Doppelgänger of the dangers to hand, culminating in a surreal visual allegory of the eventual, dynastic triumph of Banquo's heirs as each king is seen holding up a looking glass which contains the image of his successor. This mise en abyme effect is repeated eightfold until, ultimately, young Fleance is seen grinning and crowned in the final, eighth looking glass—an allusion to Shakespeare's original stage direction that the last Banquo appear holding a looking glass, as well as the historical myth that King James I of England was descended from Banquo by eight generations.
Read more about this topic: Macbeth (1971 film)
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