Characters
- Maboroshi Panty (まぼろしパンティ)
Susumi's superhero alter-ego. Cutting two eyeholes in a pair of one of her panties, Susumi wears it as a mask, and dresses in only a scarf, gloves, boots, and underwear, she battles the sinister forces lurking in her school. Despite her martial arts knowledge, Maboroshi Panty's lack of experience sometimes leads her to make mistakes. She is also not above killing her adversaries, such as shooting a villain dead after he unmasks her.
- Susumi Fuji (藤寿々美)
The beautiful and innocent teenage daughter of the local Chief of Police. A bright girl at the top of her class, Susumi is concerned about the crime rate at her school. Possessing a strong sense of justice, Susumi makes it her goal to rid her school of its criminals.
- Inspector Fuji (藤 警部)
Susumi's widowed father, and the local Police Department's Chief Inspector. Inspector Fuji finds it difficult dealing with the area's high crime rate. Eventually, he receives help from the masked superhero, Maboroshi Panty, not knowing that she's his daughter, Susumi! However, he eventually does find out her identity, and this allows father and daughter to collaborate on their respective cases.
- Tsutomu Yagyu (柳生つとむ)
A handsome male classmate of Susumi's, Tsutomu is also opposed to the new Principal's vile practices as well. After Maboroshi Panty rescues him from the clutches of the enemy, Tsutomu repeatedly assists her when she runs into danger.
- Toenail of Satan (サタンの足の爪)
In volume 3 of the manga, when the crime rate at Susumi's school continues to escalate, the administrators bring in Kekko Kamen's fiendish enemy, the villainous Toenail of Satan, to take over as the new Principal of the school. With him, the masked demon brings his usual team of sadistic teachers and humiliating punishments. Maboroshi Panty then seeks to put an end to the villain's method of education.
Read more about this topic: Maboroshi Panty
Famous quotes containing the word characters:
“The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of human history.”
—John Dos Passos (1896–1970)
“Thus we may define the real as that whose characters are independent of what anybody may think them to be.”
—Charles Sanders Peirce (1839–1914)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
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