Structure
The structure of the lyra viol has been fluid throughout its history. In seventeenth century England sympathetic strings were added. This may have led to the development of the baryton, but it was not a lasting development for the lyra viol. The most common lyra viols had six strings, but there were also viols with four and seven strings. John Playford describes the lyra viol as the smallest of three types of bass viol: the consort bass, division viol, and lyra viol. Christopher Simpson wrote that the strings on the lyra viol were lighter and the bridge flatter than those on the other bass viols. The strings were also closer to the fingerboard than they were on the consort bass. These modifications were probably in part to make playing chords easier. The first description of bowed polyphonic music for the viol is in a treatise by Johannes Tinctoris, and the first development of its repertoire can be traced back to Sylvestro di Ganassi dal Fontego in the mid-sixteenth century.
Despite these differences in structure, the lyra viol is not significantly different from other bass viols, and lyra viol music can be played on any bass viol.
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