The Theme in Literature and Music
St. Augustine made use of the figure of Lucretia in The City of God to defend the honour of Christian women who had been raped in the sack of Rome and had not committed suicide.
The story of Lucretia was a popular moral tale in the later Middle Ages. The story has been recounted in Geoffrey Chaucer's The Legend of Good Women, John Gower's Confessio Amantis (Book VII), and John Lydgate's Fall of Princes. Lucrece is also featured in William Shakespeare's 1594 long poem The Rape of Lucrece; he also mentioned her in Titus Andronicus, As You Like It, and Twelfth Night (Malvolio authenticates his fateful letter by spotting Olivia's Lucrece seal). Niccolò Machiavelli's comedy La Mandragola is loosely based on Lucretia.
She is also mentioned in the poem Appius and Virginia by John Webster and Thomas Heywood, which includes the following lines:
- Two ladies fair, but most unfortunate
- Have in their ruins rais'd declining Rome,
- Lucretia and Virginia, both renowned
- For chastity
Thomas Heywood's play The Rape of Lucretia dates from 1607. The subject also enjoyed a revival in the mid twentieth century; André Obey's 1931 play Le Viol de Lucrèce was adapted into a 1946 opera by Benjamin Britten. Ernst Krenek set Emmet Lavery's libretto Tarquin (1940), a version in a contemporary setting.
Lucretia appears to Dante in the section of Limbo reserved to the nobles of Rome and other "virtuous pagans" in Canto IV of the Inferno. Christine de Pizan used Lucretia just as St. Augustine of Hippo did in her City of Ladies, defending a woman's sanctity.
In Samuel Richardson's 1740 novel Pamela, Mr. B. cites the story of Lucretia as a reason why Pamela ought not fear for her reputation, should he rape her. Pamela quickly sets him straight with a better reading of the story. Colonial Mexican poet Sor Juana Inés de la Cruz also mentions "Lucrecia" in her poem Redondillas, a commentary on prostitution and who is to blame.
In 1769 doctor Joan Ramis wrote a tragedy play in Menorca called 'Lucrecia'. The play is written in Catalan language using a neoclassical style. Is the most important work of the eighteenth century written in this language.
In 1932, the play "Lucrece" was produced on Broadway starring legendary actress Katharine Cornell in the title part. It was mostly performed in pantomime.
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