Lucia Di Lammermoor - List of Arias and Musical Numbers

List of Arias and Musical Numbers

The index of Bonynge's edition lists the following numbers.

1. "Preludio"
Act 1
2. "Percorrete le spiaggie vicine"
3. "Tu sei turbato!"
4. "Cruda, funesta smania" (Enrico)
5. "La pietade in suo favore" (Enrico)
6. "Ancor non giunse!" (Lucia)
7. "Regnava nel silenzio" (Lucia)
8. "Quando rapito in estasi" (Lucia)
9. "Egli s'avanza" (Alisa, Edgardo, Lucia)
10. "Sulla tomba che rinserra" (Edgardo, Lucia)
11. "Qui di sposa eterna...Ah! Verranno a te sull'aure" (Edgardo, Lucia)

Act 2
12. "Lucia, fra poco a te verrà"
13. "Appressati, Lucia"
14. "Il pallor funesto, orrendo"
15. "Soffriva nel pianto"
16. "Che fia"
17. "Se tradirmi tu potrai"
18. "Ebben? – Di tua speranza"
19. "Ah! cedi, cedi" (Raimondo)
20. "Al ben de'tuoi qual vittima" (Raimondo)
21. "Per te d'immenso giubilo"
22. "Dov'è Lucia?"
23. "Chi mi frena in tal momento" (Sextet)
24. "T'allontana sciagurato"

Act 3
25. "Orrida è questa notte"
26. "Qui del padre ancor respira"
27. "D'immenso giubilo"
28. "Ah! cessate quel contento"
29. "Oh! qual funesto avvenimento!"
30. "Oh, giusto cielo!...Il dolce suono" (Lucia; "Mad Scene")
31. "Ohimè! sorge il tremendo fantasma"
32. "S'avanza Enrico"
33. "Spargi d'amaro pianto"
34. "Si tragga altrove"
35. "Tombe degli avi miei" (Edgardo)
36. "Fra poco a me ricovero"
37. "Oh meschina!"
38. "Tu che a Dio spiegasti l'ali" (Edgardo)

Read more about this topic:  Lucia Di Lammermoor

Famous quotes containing the words list of, list, musical and/or numbers:

    “Shea—they call him Scholar Jack—
    Went down the list of the dead.
    Officers, seamen, gunners, marines,
    The crews of the gig and yawl,
    The bearded man and the lad in his teens,
    Carpenters, coal-passers—all.”
    —Joseph I. C. Clarke (1846–1925)

    “All is possible,
    Who so list believe;
    Trust therefore first, and after preve,
    As men wed ladies by license and leave,
    All is possible.”
    —Sir Thomas Wyatt (1503?–1542)

    “Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
    —Marcel Proust (1871–1922)

    “He bundles every forkful in its place,
    And tags and numbers it for future reference,
    So he can find and easily dislodge it
    In the unloading. Silas does that well.
    He takes it out in bunches like birds’ nests.”
    —Robert Frost (1874–1963)