Houses
Lucayans, like other Tainos, lived in multi-household houses. Descriptions of Lucayan houses by the Spanish match those of houses used by Tainos in Hispaniola and Cuba: shaped like a round tent, tall, made of poles and thatch, with an opening at the top to let smoke out. Columbus described the houses of the Lucayans as clean and well-swept. The houses were furnished with cotton nets (some kind of hammocks) for beds and furnishings, and were used mainly for sleeping. Each house sheltered an extended family. There are no surviving reports of the size of Lucayan houses, but estimates of about 20 people per house in Taino communities in pre-contact Cuba are cited by Keegan as a reasonable estimate for Lucayan houses. While not mentioned for Lucayan houses, the houses in Cuba were described as having two doors. Classic Taino villages in Hispaniola and eastern Cuba typically had houses arranged around a central plaza, and often located along rivers with access to good agricultural land. On the other hand, Lucayan villages were linear, along the coast, often on the leeward side of an island, but also found on the windward side wherever tidal creeks provided some protected shoreline.
Read more about this topic: Lucayan People
Famous quotes containing the word houses:
“There is the rich quarter, with its houses of pink and white, and
its crumbling, leafy terraces.
There is the poorer quarter, its homes a deep blue.
There is the market, where men are selling hats and swatting flies”
—John Ashbery (b. 1927)
“Hast ever ben in Omaha
Where rolls the dark Missouri down,
Where four strong horses scarce can draw
An empty wagon through the town?
Where sand is blown from every mound
To fill your eyes and ears and throat;
Where all the steamboats are aground,
And all the houses are afloat?...
If not, take heed to what I say,
You’ll find it just as I have found it;
And if it lies upon your way
For God’s sake, reader, go around it!”
—For the State of Nebraska, U.S. public relief program (1935-1943)
“And the Harvard students in the brick
hallowed houses studied Sappho in cement rooms.
And this Sappho danced on the grass
and danced and danced and danced.
It was a death dance.”
—Anne Sexton (1928–1974)