Works
- 1895. The Youth of Parnassus, and other stories
- 1902. Trivia
- 1907. The Life and Letters of Sir Henry Wotton. Biography
- 1909. Songs and Sonnets
- 1912. The English Language
- 1919. A Treasury of English Prose
- 1920. Little Essays Drawn From The Writings Of George Santayana
- 1920 (ed.). Donne's Sermons: Selected Passages with an Essay
- 1920. Stories from the Old Testament retold. Hogarth Press
- 1921. More Trivia
- 1923. English Idioms
- 1925. Words and Idioms
- 1927. The Prospects of Literature. Hogarth Press
- 1930 (ed.) The Golden Grove: Selected Passages From The Sermons and Writings of Jeremy Taylor
- 1931. Afterthoughts
- 1933. All Trivia. Collection
- 1933. Last Words
- 1933. On Reading Shakespeare
- 1936. Fine Writing
- 1937. Reperusals & Recollections
- 1938. Unforgotten Years
- 1938. Death in Iceland. Privately printed in Reading with Iceland: A Poem by Robert Gathorne-Hardy.
- 1940. Milton and His Modern Critics
- 1943. A Treasury Of English Aphorisms
- 1949 (ed.). A Religious Rebel: The Letters of "H.W.S." (Mrs. Pearsall Smith). Published in the USA as Philadelphia Quaker, The Letters of Hannah Whitall Smith
- 1949 (ed.). The Golden Shakespeare
- 1972. Four Words. Romantic, Originality, Creative, Genius
- 1982. Saved from the Salvage. With a Memoir of the Author by Cyril Connolly
- 1989 (Edward Burman, ed.) Logan Pearsall Smith. Anthology.
Read more about this topic: Logan Pearsall Smith
Famous quotes containing the word works:
“The noble simplicity in the works of nature only too often originates in the noble shortsightedness of him who observes it.”
—G.C. (Georg Christoph)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (18761959)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (19211988)