Works
- 1895. The Youth of Parnassus, and other stories
- 1902. Trivia
- 1907. The Life and Letters of Sir Henry Wotton. Biography
- 1909. Songs and Sonnets
- 1912. The English Language
- 1919. A Treasury of English Prose
- 1920. Little Essays Drawn From The Writings Of George Santayana
- 1920 (ed.). Donne's Sermons: Selected Passages with an Essay
- 1920. Stories from the Old Testament retold. Hogarth Press
- 1921. More Trivia
- 1923. English Idioms
- 1925. Words and Idioms
- 1927. The Prospects of Literature. Hogarth Press
- 1930 (ed.) The Golden Grove: Selected Passages From The Sermons and Writings of Jeremy Taylor
- 1931. Afterthoughts
- 1933. All Trivia. Collection
- 1933. Last Words
- 1933. On Reading Shakespeare
- 1936. Fine Writing
- 1937. Reperusals & Recollections
- 1938. Unforgotten Years
- 1938. Death in Iceland. Privately printed in Reading with Iceland: A Poem by Robert Gathorne-Hardy.
- 1940. Milton and His Modern Critics
- 1943. A Treasury Of English Aphorisms
- 1949 (ed.). A Religious Rebel: The Letters of "H.W.S." (Mrs. Pearsall Smith). Published in the USA as Philadelphia Quaker, The Letters of Hannah Whitall Smith
- 1949 (ed.). The Golden Shakespeare
- 1972. Four Words. Romantic, Originality, Creative, Genius
- 1982. Saved from the Salvage. With a Memoir of the Author by Cyril Connolly
- 1989 (Edward Burman, ed.) Logan Pearsall Smith. Anthology.
Read more about this topic: Logan Pearsall Smith
Famous quotes containing the word works:
“Was it an intellectual consequence of this rebirth, of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
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“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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