Works
- 1895. The Youth of Parnassus, and other stories
- 1902. Trivia
- 1907. The Life and Letters of Sir Henry Wotton. Biography
- 1909. Songs and Sonnets
- 1912. The English Language
- 1919. A Treasury of English Prose
- 1920. Little Essays Drawn From The Writings Of George Santayana
- 1920 (ed.). Donne's Sermons: Selected Passages with an Essay
- 1920. Stories from the Old Testament retold. Hogarth Press
- 1921. More Trivia
- 1923. English Idioms
- 1925. Words and Idioms
- 1927. The Prospects of Literature. Hogarth Press
- 1930 (ed.) The Golden Grove: Selected Passages From The Sermons and Writings of Jeremy Taylor
- 1931. Afterthoughts
- 1933. All Trivia. Collection
- 1933. Last Words
- 1933. On Reading Shakespeare
- 1936. Fine Writing
- 1937. Reperusals & Recollections
- 1938. Unforgotten Years
- 1938. Death in Iceland. Privately printed in Reading with Iceland: A Poem by Robert Gathorne-Hardy.
- 1940. Milton and His Modern Critics
- 1943. A Treasury Of English Aphorisms
- 1949 (ed.). A Religious Rebel: The Letters of "H.W.S." (Mrs. Pearsall Smith). Published in the USA as Philadelphia Quaker, The Letters of Hannah Whitall Smith
- 1949 (ed.). The Golden Shakespeare
- 1972. Four Words. Romantic, Originality, Creative, Genius
- 1982. Saved from the Salvage. With a Memoir of the Author by Cyril Connolly
- 1989 (Edward Burman, ed.) Logan Pearsall Smith. Anthology.
Read more about this topic: Logan Pearsall Smith
Famous quotes containing the word works:
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when youre weary or a stool
To stumble over and vex you ... curse that stool!
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (18061861)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (18991977)
“The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
—Shirley Chisholm (b. 1924)