Style
Author Harry Shapiro examined the song, saying musically it is "structured to lay a gossamer touch across the whole song from the arresting opening statement and the haunting glockenspiel to the use of a Leslie speaker cabinet for the guitar. The speaker baffle rotates, creating a Doppler effect of rising and falling waves of sound. Jimi plays the song almost like a pianist with the thumb fretting the bass notes like the pianist's left hand, while the fingers of the fretting hand correspond to the right. The song fades on a magical solo after only two minutes and twenty-five seconds. Even live, 'Little Wing' was hardly any longer – he said what he wanted to say and stopped."
While on the initial studio track Hendrix played his guitar through a Leslie speaker, which was normally used with Hammond organs, the simultaneous use of a distortion effect gave the guitar a unique sound. During live shows and on later recordings, Hendrix "used the 'Univibe' effect pedal to get a simulated Leslie sound, instead of using a real speaker."
Due to the heavy use of studio recording techniques in creating the Axis: Bold as Love album, only "Spanish Castle Magic" and "Little Wing" were performed regularly at concerts.
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Famous quotes containing the word style:
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“One never tires of what is well written, style is life! It is the very blood of thought!”
—Gustave Flaubert (1821–1880)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)