Style
Author Harry Shapiro examined the song, saying musically it is "structured to lay a gossamer touch across the whole song from the arresting opening statement and the haunting glockenspiel to the use of a Leslie speaker cabinet for the guitar. The speaker baffle rotates, creating a Doppler effect of rising and falling waves of sound. Jimi plays the song almost like a pianist with the thumb fretting the bass notes like the pianist's left hand, while the fingers of the fretting hand correspond to the right. The song fades on a magical solo after only two minutes and twenty-five seconds. Even live, 'Little Wing' was hardly any longer – he said what he wanted to say and stopped."
While on the initial studio track Hendrix played his guitar through a Leslie speaker, which was normally used with Hammond organs, the simultaneous use of a distortion effect gave the guitar a unique sound. During live shows and on later recordings, Hendrix "used the 'Univibe' effect pedal to get a simulated Leslie sound, instead of using a real speaker."
Due to the heavy use of studio recording techniques in creating the Axis: Bold as Love album, only "Spanish Castle Magic" and "Little Wing" were performed regularly at concerts.
Read more about this topic: Little Wing
Famous quotes containing the word style:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)