Style
Author Harry Shapiro examined the song, saying musically it is "structured to lay a gossamer touch across the whole song from the arresting opening statement and the haunting glockenspiel to the use of a Leslie speaker cabinet for the guitar. The speaker baffle rotates, creating a Doppler effect of rising and falling waves of sound. Jimi plays the song almost like a pianist with the thumb fretting the bass notes like the pianist's left hand, while the fingers of the fretting hand correspond to the right. The song fades on a magical solo after only two minutes and twenty-five seconds. Even live, 'Little Wing' was hardly any longer – he said what he wanted to say and stopped."
While on the initial studio track Hendrix played his guitar through a Leslie speaker, which was normally used with Hammond organs, the simultaneous use of a distortion effect gave the guitar a unique sound. During live shows and on later recordings, Hendrix "used the 'Univibe' effect pedal to get a simulated Leslie sound, instead of using a real speaker."
Due to the heavy use of studio recording techniques in creating the Axis: Bold as Love album, only "Spanish Castle Magic" and "Little Wing" were performed regularly at concerts.
Read more about this topic: Little Wing
Famous quotes containing the word style:
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“His style is chaos illumined by flashes of lightning. As a writer he has mastered everything except language.”
—Oscar Wilde (1854–1900)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)