Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen) (1919–20) is a mixed-media work of art by the German dadaist/surrealist Max Ernst.
This is probably the most famous example of a series of Ernst’s works that were based on diagrams of scientific instruments. This work began by creating print reproductions of these diagrams. They were then colored and textured with a combination of watercolor, gouache and pencil and ink frottage. Frottage is a technique created by Ernst that involves creating rubbings of different textured surfaces like wood and textiles to give the work a three dimensional appearance.
This work also displays Ernst’s interest in typography. Many of the shapes in the machine can be seen as letters. At the bottom is an inscription that reads "Little machine constructed by Minimax Dadamax in person for fearless pollination of female suckers at the beginning of the change of life and for other such fearless functions."
Famous quotes containing the words machine, constructed and/or person:
“He is no more than the chief officer of the people, appointed by the laws, and circumscribed with definite powers, to assist in working the great machine of government erected for their use, and consequently subject to their superintendence.”
—Thomas Jefferson (1743–1826)
“This monument, so imposing and tasteful, fittingly typifies the grand and symmetrical character of him in whose honor it has been builded. His was “the arduous greatness of things done.” No friendly hands constructed and placed for his ambition a ladder upon which he might climb. His own brave hands framed and nailed the cleats upon which he climbed to the heights of public usefulness and fame.”
—Benjamin Harrison (1833–1901)
“Good Nature, and Evenness of Temper, will give you an easie Companion for Life; Vertue and good Sense, an agreeable Friend; Love and Constancy, a good Wife or Husband. Where we meet one Person with all these Accomplishments, we find an Hundred without any one of them.”
—Joseph Addison (1672–1719)