Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen) (1919–20) is a mixed-media work of art by the German dadaist/surrealist Max Ernst.
This is probably the most famous example of a series of Ernst’s works that were based on diagrams of scientific instruments. This work began by creating print reproductions of these diagrams. They were then colored and textured with a combination of watercolor, gouache and pencil and ink frottage. Frottage is a technique created by Ernst that involves creating rubbings of different textured surfaces like wood and textiles to give the work a three dimensional appearance.
This work also displays Ernst’s interest in typography. Many of the shapes in the machine can be seen as letters. At the bottom is an inscription that reads "Little machine constructed by Minimax Dadamax in person for fearless pollination of female suckers at the beginning of the change of life and for other such fearless functions."
Famous quotes containing the words machine, constructed and/or person:
“Goodbye, boys; I’m under arrest. I may have to go to jail. I may not see you for a long time. Keep up the fight! Don’t surrender! Pay no attention to the injunction machine at Parkersburg. The Federal judge is a scab anyhow. While you starve he plays golf. While you serve humanity, he serves injunctions for the money powers.”
—Mother Jones (1830–1930)
“This monument, so imposing and tasteful, fittingly typifies the grand and symmetrical character of him in whose honor it has been builded. His was “the arduous greatness of things done.” No friendly hands constructed and placed for his ambition a ladder upon which he might climb. His own brave hands framed and nailed the cleats upon which he climbed to the heights of public usefulness and fame.”
—Benjamin Harrison (1833–1901)
“Self-esteem is the real magic wand that can form a child’s future. A child’s self-esteem affects every area of her existence, from friends she chooses, to how well she does academically in school, to what kind of job she gets, to even the person she chooses to marry.”
—Stephanie Martson (20th century)