Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen) (1919–20) is a mixed-media work of art by the German dadaist/surrealist Max Ernst.
This is probably the most famous example of a series of Ernst’s works that were based on diagrams of scientific instruments. This work began by creating print reproductions of these diagrams. They were then colored and textured with a combination of watercolor, gouache and pencil and ink frottage. Frottage is a technique created by Ernst that involves creating rubbings of different textured surfaces like wood and textiles to give the work a three dimensional appearance.
This work also displays Ernst’s interest in typography. Many of the shapes in the machine can be seen as letters. At the bottom is an inscription that reads "Little machine constructed by Minimax Dadamax in person for fearless pollination of female suckers at the beginning of the change of life and for other such fearless functions."
Famous quotes containing the words machine, constructed and/or person:
“... in the fierce competition of modern society the only class left in the country possessing leisure is that of women supported in easy circumstances by husband or father, and it is to this class we must look for the maintenance of cultivated and refined tastes, for that value and pursuit of knowledge and of art for their own sakes which can alone save society from degenerating into a huge machine for making money, and gratifying the love of sensual luxury.”
—Mrs. H. O. Ward (1824–1899)
“How marvellous it all is! Built not by saints and angels, but the work of men’s hands; cemented with men’s honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human—for the most heedless and the most cynical must see the finger of the Divine.”
—Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)
“A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody, that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object. It stands for that object, not in all respects, but in reference to a sort of idea, which I have sometimes called the ground of the representamen.”
—Charles Sanders Peirce (1839–1914)