Literature of Northern Ireland - Poetry After 1922

Poetry After 1922

John Hewitt (1907–1987), whom many consider to be the founding father of Northern Irish poetry, also came from a rural background but lived in Belfast and was amongst the first Irish poets to write of the sense of alienation that many at this time felt from both their original rural and new urban homes.

Louis MacNeice (1907–1963) was associated with the left-wing politics of Michael Roberts's anthology New Signatures. MacNeice's poetry was informed by his immediate interests and surroundings and is more social than political. As an urban Northerner, MacNeice could not idealize his native landscape as did John Hewitt, and with his Belfast Anglican background could not sympathize with a romantic view of Catholic Ireland. He felt estranged from Presbyterian Northern Ireland with its "voodoo of the Orange bands", but felt caught between British and Irish identities.

Richard Rowley's early poems, in The City of Refuge (1917), were rhetorical celebrations of industry. His next volume, City Songs and Others (1918), included his most quoted poem The Islandmen, and is regarded as containing his most original work: Browning-like monologues straight from the mouths of Belfast’s working-class.

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Famous quotes containing the word poetry:

    Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface, not concluded in the appendix. Even Virgil’s poetry serves a very different use to me today from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world.
    Henry David Thoreau (1817–1862)