Literature of Northern Ireland

Literature Of Northern Ireland

Literature of Northern Ireland may include literature written in Northern Ireland and in that part of Ireland before the partition of the island of Ireland and literature written by writers from Northern Ireland. It includes literature in English, Irish and Ulster Scots.

The impact of Irish nationalism that led to the partition of the island of Ireland in 1921 means that literature of the Republic of Ireland is not considered to be British - although the identity of literature from Northern Ireland, as part of the literature of the United Kingdom, may fall within the overlapping identities of Irish and British literature where "the naming of the territory has always been, in literary, geographical or historical contexts, a politically charged activity". Writing from Northern Ireland has been described as existing in a "double post-colonial condition" being viewed as not British enough, not Irish enough, and (for writings in Scots) not Scottish enough to be included in consideration within the various national canons.

The identity of literature of Northern Ireland is as contested as the identity of Northern Ireland itself, but Northern Ireland writers have contributed to Irish, British and other literatures as well as reflecting the changing character of Northern Ireland society. As Tom Paulin put it, it should be possible "to found a national literature on this scutching vernacular".

Read more about Literature Of Northern Ireland:  History, Literature in Irish, Literature in Ulster Scots, Literature in English, Poetry After 1922, Poetry After World War II, Belfast Literature, Derry Literature, Writers From Northern Ireland

Famous quotes containing the words northern ireland, literature, northern and/or ireland:

    For generations, a wide range of shooting in Northern Ireland has provided all sections of the population with a pastime which ... has occupied a great deal of leisure time. Unlike many other countries, the outstanding characteristic of the sport has been that it was not confined to any one class.
    —Northern Irish Tourist Board. quoted in New Statesman (London, Aug. 29, 1969)

    Most literature on the culture of adolescence focuses on peer pressure as a negative force. Warnings about the “wrong crowd” read like tornado alerts in parent manuals. . . . It is a relative term that means different things in different places. In Fort Wayne, for example, the wrong crowd meant hanging out with liberal Democrats. In Connecticut, it meant kids who weren’t planning to get a Ph.D. from Yale.
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    There exists in a great part of the Northern people a gloomy diffidence in the moral character of the government. On the broaching of this question, as general expression of despondency, of disbelief that any good will accrue from a remonstrance on an act of fraud and robbery, appeared in those men to whom we naturally turn for aid and counsel. Will the American government steal? Will it lie? Will it kill?—We ask triumphantly.
    Ralph Waldo Emerson (1803–1882)

    It is often said that in Ireland there is an excess of genius unsustained by talent; but there is talent in the tongues.
    —V.S. (Victor Sawdon)