Literature Of Northern Ireland
Literature of Northern Ireland may include literature written in Northern Ireland and in that part of Ireland before the partition of the island of Ireland and literature written by writers from Northern Ireland. It includes literature in English, Irish and Ulster Scots.
The impact of Irish nationalism that led to the partition of the island of Ireland in 1921 means that literature of the Republic of Ireland is not considered to be British - although the identity of literature from Northern Ireland, as part of the literature of the United Kingdom, may fall within the overlapping identities of Irish and British literature where "the naming of the territory has always been, in literary, geographical or historical contexts, a politically charged activity". Writing from Northern Ireland has been described as existing in a "double post-colonial condition" being viewed as not British enough, not Irish enough, and (for writings in Scots) not Scottish enough to be included in consideration within the various national canons.
The identity of literature of Northern Ireland is as contested as the identity of Northern Ireland itself, but Northern Ireland writers have contributed to Irish, British and other literatures as well as reflecting the changing character of Northern Ireland society. As Tom Paulin put it, it should be possible "to found a national literature on this scutching vernacular".
Read more about Literature Of Northern Ireland: History, Literature in Irish, Literature in Ulster Scots, Literature in English, Poetry After 1922, Poetry After World War II, Belfast Literature, Derry Literature, Writers From Northern Ireland
Famous quotes containing the words northern ireland, literature of, literature, northern and/or ireland:
“For generations, a wide range of shooting in Northern Ireland has provided all sections of the population with a pastime which ... has occupied a great deal of leisure time. Unlike many other countries, the outstanding characteristic of the sport has been that it was not confined to any one class.”
—Northern Irish Tourist Board. quoted in New Statesman (London, Aug. 29, 1969)
“The literature of the poor, the feelings of the child, the philosophy of the street, the meaning of household life, are the topics of the time. It is a great stride. It is a sign,—is it not? of new vigor, when the extremities are made active, when currents of warm life run into the hands and the feet.”
—Ralph Waldo Emerson (1803–1882)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Our ancestors were savages. The story of Romulus and Remus being suckled by a wolf is not a meaningless fable. The founders of every state which has risen to eminence have drawn their nourishment and vigor from a similar wild source. It was because the children of the Empire were not suckled by the wolf that they were conquered and displaced by the children of the northern forests who were.”
—Henry David Thoreau (1817–1862)
“There is no topic ... more soporific and generally boring than the topic of Ireland as Ireland, as a nation.”
—Ezra Pound (1885–1972)