A landscape architect is someone who practices landscape architecture. Regulations of the profession vary by country and state. The terminology has evolved to include those once known as landscape gardeners, landscape designers, architects, surveyors or civil engineers, particularly those from the 19th century who practised before the term "landscape architect" was coined. Landscape architecture was also differentiated as a profession in the United States earlier than in other parts of the world so this ambiguity has persisted to the present day; in much of Europe, for example, landscape architecture is not a distinct profession but there are many significant historical and contemporary examples of "landscape architectural design" projects. Though their influence on landscape architecture may be great, this list precludes gardeners, botanists, writers, theoreticians, ecologists, artists, and others who did not practice landscape design at a site scale and were not trained as a historical 'landscape gardener' or contemporary 'landscape architect.'
Famous quotes containing the words list of, list, landscape and/or architects:
“Do your children view themselves as successes or failures? Are they being encouraged to be inquisitive or passive? Are they afraid to challenge authority and to question assumptions? Do they feel comfortable adapting to change? Are they easily discouraged if they cannot arrive at a solution to a problem? The answers to those questions will give you a better appraisal of their education than any list of courses, grades, or test scores.”
—Lawrence Kutner (20th century)
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“Napoleon wanted to turn Paris into Rome under the Caesars, only with louder music and more marble. And it was done. His architects gave him the Arc de Triomphe and the Madeleine. His nephew Napoleon III wanted to turn Paris into Rome with Versailles piled on top, and it was done. His architects gave him the Paris Opera, an addition to the Louvre, and miles of new boulevards.”
—Tom Wolfe (b. 1931)