1960s
- Momenti for tape (1960)
- Circles for female voice, harp and two percussionists (1960)
- Visage for tape (1961)
- Quaderni II for orchestra (1961)
- Quaderni III for orchestra (1961)
- Epifanie for female voice and orchestra (1961; revised 1965); incorporates Quaderni I-III
- Passaggio - "messa in scena" for soprano, chorus and orchestra (1963)
- Esposizione for voices and instruments (1963); withdrawn; reworked and incorporated in Laborintus II (1965)
- Sequenza II for harp (1963); reused as a solo part in Chemins I (1964)
- Traces for soprano, mezzo-soprano, two actors, chorus and orchestra (1963); withdrawn; parts were reworked and incorporated in Opera (1970)
- Sincronie for string quartet (1964)
- Folk Songs for mezzosoprano and seven instruments (1964); arrangement for mezzosoprano and orchestra (1973)
- Chemins I for harp and orchestra (1964); the harp part is Sequenza II (1963)
- Wasserklavier for piano (1965); published as the third movement of six encores (1990)
- Laborintus II for three female voices, eight actors, one speaker and instruments (1965); incorporates a reworked version of Esposizione (1963)
- Rounds for harpsichord (1965); version for piano (1965)
- Sequenza III for solo voice (1966)
- Sequenza IV for piano (1966)
- Gesti for alto recorder (1966)
- Sequenza V for trombone (1966)
- Il combattimento di Tancredi e Clorinda for soprano, tenor, baritone, three violas, cello, double bass, harpsichord (1966); arrangement of the opera by Monteverdi
- Sequenza VI for viola (1967); reused as a solo part in Chemins II (1967) and Chemins III (1968)
- Chemins II for viola and nine instruments (1967); the viola part is Sequenza VI (1967); reused in Chemins III (1968)
- O King for mezzosoprano and five instruments (1967); later incorporated into Sinfonia (1968)
- Chemins III for viola, nine instruments and orchestra (1968); the viola part is Sequenza VI (1967), the nine instruments play the same parts as in Chemins II (1967)
- Sinfonia for eight solo voices and orchestra (1968); incorporates O King (1968); the version that premiered in 1968 was in four movements, a fifth was added in 1969
- Questo vuol dire che for three female voices, small chorus, tape and other available resources (1968)
- Sequenza VIIa for oboe (1969); arranged as Sequenza VIIb; reused in Chemins IV (1975)
- Sequenza VIIb for soprano saxophone (1969); arrangement of Sequenza VIIa (1969)
- The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred for flute or oboe, clarinet, percussion, harpsichord, viola, cello (1969); arrangement of music by Henry Purcell
- Air for soprano and orchestra (1969); version for piano, violin, viola and cello (1970); movement from Opera (1970)
- Chemins IIb for orchestra (1969); reworking of Chemins II (1967); reused in Chemins IIc (1972)
Read more about this topic: List Of Compositions By Luciano Berio