Latin Church Music
Handel wrote the following Latin church music (including motets, Psalm settings, and antiphons):
| HWV | Type | Title | Voice | Key | Composed | Premiere | Venue | Notes | Text |
|---|---|---|---|---|---|---|---|---|---|
| 231 | Motet | Coelestis dum spirat aura | Soprano | D major/G major | 1707-00-00?Rome, 1707 | 1707-06-1313 June 1707 | Vignanello | Motet for the Feast of St. Anthony of Padua | |
| 232 | Psalm setting | Dixit Dominus | Soprano, Alto, Tenor, Bass Chorus | G minor | 1707-04-00Rome, April 1707 | Dixit Dominus represents Handel's earliest dated autograph, and it is the earliest surviving autograph from his large-scale compositions. | Psalm 110 (Vulgate 109) |
||
| 235 | Antiphon | Haec est Regina virginum | Soprano | G major | 1707-00-00?Rome, 1707 | 1707-07-16?15/16 July 1707 | Rome | Probably written for services held at the church of S. Maria di Monte Santo to celebrate the feast day of "Madonna del Carmine". | |
| 236 | Psalm setting | Laudate pueri dominum | Soprano | F major | 1706-00-00?Hamburg, circa 1706 | 0000-00-00 | Laudate pueri dominum in F major is Handel's earliest surviving autograph. Might have been composed in Halle, 1701-2. | Psalm 113 (Vulgate 112) |
|
| 237 | Psalm setting | Laudate pueri dominum | Soprano, Chorus | D major | 1707-07-08Rome, 8 July 1707 | 0000-00-00 | Psalm 113 (Vulgate 112) |
||
| 238 | Psalm setting | Nisi Dominus | Alto, Tenor, Bass, Chorus | G major | 1707-07-13Rome, 13 July 1707 | 1707-07-16?16 July 1707 | Rome | Probably written for a grand Vespers service held at the church of S. Maria di Monte Santo in Rome, the feast day of "Our Lady of Mount Carmel". | Psalm 127 (Vulgate 126) |
| 239 | Motet | O qualis de coelo sonus | Soprano | G major | 1707-06-00?Rome, May – June 1707 | 1707-06-1212 June 1707 | Vignanello | For Pentecost | |
| 240 | Motet | Saeviat tellus inter rigores | Soprano | D major | 1707-00-00?Rome, 1707 | 1707-07-16?16 July 1707 | Rome | Motet for the Feast of Madonna del Carmine | |
| 241 | Antiphon | Salve Regina | Soprano | G minor | 1707-00-00?Rome, 1707 | 1707-06-19?19 June 1707 | Vignanello | Probably first performed on Trinity Sunday at Francesco Ruspoli's private chapel. | |
| 242 | Motet | Silete venti | Soprano | B-flat major | 1724-00-00London, circa 1723-25 | 0000-00-00 | |||
| 243 | Antiphon | Te decus virgineum | Alto | G minor | 1707-00-00Rome, 1707 | 1707-07-16?15/16 July 1707 | Rome | Probably written for services held at the church of S. Maria di Monte Santo to celebrate the feast day of "Our Lady of Mount Carmel". | |
| 244 | Cantata | Kyrie eleison | Chorus | 0000-00-00 | 0000-00-00 | Misattributed to Handel; by A. Lotti ("Missa Sapientiae"), but copied by Handel circa 1749. | |||
| 245 | Cantata | Gloria in excelsis deo | Chorus | 0000-00-00 | 0000-00-00 | Misattributed to Handel; by A. Lotti ("Missa Sapientiae"), but copied by Handel circa 1749. | |||
| 269 | Amen...alleluja | Soprano, Bass | D minor | 1746-00-001735-46 | 0000-00-00 | Probably intended as a vocal study. | |||
| 270 | Amen | Soprano, Bass | F major | 1746-00-001735-46 | 0000-00-00 | Probably intended as a vocal study. | |||
| 271 | Amen...alleluja | Soprano, Bass | G minor | 1746-00-001735-46 | 0000-00-00 | Probably intended as a vocal study. | |||
| 272 | Alleluja...amen | Soprano, Bass | D minor | 1746-00-001735-46 | 0000-00-00 | Probably intended as a vocal study. | |||
| 273 | Alleluja...amen | Soprano, Bass | G major | 1746-00-001735-46 | 0000-00-00 | Probably intended as a vocal study. | |||
| 274 | Alleluja...amen | Soprano, Bass | A minor | 1746-00-001735-46 | 0000-00-00 | Probably intended as a vocal study. | |||
| 276 | Amen...hallelujah | Soprano, Bass | F major | 1747-00-001744-47 | 0000-00-00 | Probably intended as a vocal study. | |||
| 277 | Hallelujah...amen | Soprano, Bass | F major | 1747-00-001744-47 | 0000-00-00 | Probably intended as a vocal study. |
Read more about this topic: List Of Compositions By George Frideric Handel
Famous quotes containing the words latin, church and/or music:
“He tries by a peculiar speech to speak
The peculiar potency of the general,
To compound the imagination’s Latin with
The lingua franca et jocundissima.”
—Wallace Stevens (1879–1955)
“Do you see this egg? With this you can topple every theological theory, every church or temple in the world.”
—Denis Diderot (1713–1784)
“Let us describe the education of our men.... What then is the education to be? Perhaps we could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic, for the body, and music for the mind.”
—Plato (c. 427–347 B.C.)