Production
The idea for the episode came from James L. Brooks, who called David Mirkin and pitched the idea as traveling to the future and Lisa meeting the perfect guy, who in turn cannot stand her family. Believing that it would be a tough episode to write, Brooks gave the job to Greg Daniels, who was enthusiastic about it and has said that was a lot easier and more fun to write than expected. The part involving Homer's cuff links was not in the original draft, it was later added because the writers felt that something was needed to represent Hugh's disdain for the Simpson family. The end theme was redone by Alf Clausen as a "Renaissance version", including a harp.
Everything in the episode had to be redesigned, which included new sets and all of the characters had to be remodeled for their age. In most cases, the adults were made heavier, had a few lines added to the face and less hair. On Homer, the redesign was minimal, making him a bit heavier, removing one hair and placing an extra line under the eye. Krusty's design is based on Groucho Marx. The night sky was intentionally made a more reddish color in a subtle joke about how the producers thought the world would be much more polluted in 2010. Nancy Cartwright's Bart voice was electronically lowered a couple of notches.
This is the first of four future-themed episodes. The others were "Bart to the Future" in season 11, "Future-Drama" in season 16 and "Holidays of Future Passed" from season 23". While both "Lisa's Wedding" and "Future-Drama" were nominated for an Emmy, Entertainment Weekly named "Bart to the Future" the worst episode in the history of the series.
Read more about this topic: Lisa's Wedding
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