Performance Facilities At The Center
The center has 29 indoor and outdoor performance facilities that include:
- Alice Tully Hall – a 1,095-seat concert hall located within the Juilliard School building; the home stage of The Chamber Music Society of Lincoln Center.
- Avery Fisher Hall (formerly Philharmonic Hall) – a 2,738-seat symphony hall; the home stage of the New York Philharmonic;
- Metropolitan Opera House – a 3,900-seat opera house; the home stage of the Metropolitan Opera
- David H. Koch Theater (formerly New York State Theater) – a 2,713-seat theater; constructed to be the home of the New York City Ballet; many Broadway musicals have also been revived there
- Vivian Beaumont Theatre – a 1,080-seat Broadway-style theater; operated since 1985 as the main stage of Lincoln Center Theater; previously occupied by The Repertory Theater of Lincoln Center (1965–1973) and The New York Shakespeare Festival (1973–1977)
- Mitzi E. Newhouse Theater (originally known as the Forum) – a 299-seat theater; operated by Lincoln Center Theater for its Off-Broadway-style productions (see Mitzi E. Newhouse Theater at the Internet off-Broadway Database for a list of productions in the venue)
- Claire Tow Theater – a 131-seat theater operated by Lincoln Center Theater to house its more experimental productions (first performance scheduled for June 4, 2012)
- The Walter Reade Theater – a 268-seat movie theater; used by the Film Society of Lincoln Center; features a raised dais used for post-screening filmmaker discussions
- Elinor Bunin Munroe Film Center
- Bruno Walter Auditorium at the New York Public Library for the Performing Arts
- The David Rubenstein Atrium – a facility on Broadway between 62nd and 63rd Streets; includes a public visitors' and discount-ticketing facility with amenities that include free performances and a café
- The Clark Studio Theater – a 120-seat dance theater; a part of the facilities of the Lincoln Center Institute for the Arts in Education
- Damrosch Park – an outdoor amphitheater with a bowl-style stage known as the Guggenheim Band Shell; used for free Lincoln Center Out of Doors presentations
- Daniel and Joanna S. Rose Rehearsal Studio
- Josie Robertson Plaza – the center's central plaza, featuring its iconic fountain; the three main buildings (Metropolitan Opera House, Avery Fisher Hall, and David H. Koch Theater) face onto this plaza; used as an outdoor venue during Lincoln Center Out of Doors presentations
- Juilliard School – a facility housing the school of the same name: building also incorporates Morse Recital Hall, Paul Recital Hall, the Juilliard Drama Theater and the Peter J. Sharp Theater
- Stanley H. Kaplan Penthouse – a nightclub-style venue; used for intimate concerts, "Meet the Artist" and Great Performers events, lectures, and other events where a small, intimate space is preferred; was also used for jazz performances prior to the construction of the new Jazz at Lincoln Center facilities
- Jazz at Lincoln Center – while a part of the center, it is located separately in the Frederick P. Rose Hall complex within the Time Warner Center at Columbus Circle. It consists of the following performance and related facilities:
- The Allen Room – a 508-seat amphitheater with 50-foot (15-metre) glass wall overlooking Central Park; as of August 2011, this space also became the recording studio for Anderson, a daytime-television talk show hosted by Anderson Cooper
- Dizzy's Club Coca-Cola – a nightclub-style venue that allows jazz to be performed in its traditional venue
- Rose Theater – a 1,094-seat concert hall designed for jazz performances
- Irene Diamond Education Center – a rehearsal, recording and classroom facility
Read more about this topic: Lincoln Center For The Performing Arts
Famous quotes containing the words performance, facilities and/or center:
“Nobody can misunderstand a boy like his own mother.... Mothers at present can bring children into the world, but this performance is apt to mark the end of their capacities. They cant even attend to the elementary animal requirements of their offspring. It is quite surprising how many children survive in spite of their mothers.”
—Norman Douglas (18681952)
“I have always found that when men have exhausted their own resources, they fall back on the intentions of the Creator. But their platitudes have ceased to have any influence with those women who believe they have the same facilities for communication with the Divine mind as men have.”
—Elizabeth Cady Stanton (18151902)
“Actually being married seemed so crowded with unspoken rules and odd secrets and unfathomable responsibilities that it had no more occurred to her to imagine being married herself than it had to imagine driving a motorcycle or having a job. She had, however, thought about being a bride, which had more to do with being the center of attention and looking inexplicably, temporarily beautiful than it did with sharing a double bed with someone with hairy legs and a drawer full of boxer shorts.”
—Anna Quindlen (b. 1952)