Lin Haiyin - Works

Works

Bibliography of Lin Haiyin's works available in English:

  • "Buried With the Dead." Tr. Jane Parish Yang. The Chinese Pen (Winter, 1980): 33-61.
  • "Candle." In Nieh Hua-ling, ed. and trans., Eight Stories By Chinese Women. Taipei: Heritage Press, 1962, 53-68. Also in Ann C. Carver and Sung-sheng Yvonne Chang, eds., Bamboo Shoots After the Rain: Contemporary Stories by Women Writers of Taiwan. NY: The Feminist Press, 1990, 17-25.
  • "The Desk." Tr. Nancy Zi Chiang. The Chinese Pen (Winter, 1972): 13-19.
  • "Donkey Rolls." Tr. David Steelman. The Chinese Pen, (Autumn, 1979): 18-39.
  • "Gold Carp's Pleated Skirt." Tr. Hsiao Lien-ren. In Chi Pang-yuan, et al., eds., An Anthology of Contemporary Chinese Literature. Taipei: National Institute for Compilation and Translation, 1975, II, 9-23.
  • Green Seaweed and Salted Eggs. Tr. Nancy C. Ing. Taipei: The Heritage Press, 1963.
  • "Let Us Go and See the Sea." Tr. Nancy Chang Ing. The Chinese Pen, (Spring, 1973): 32-66. Republished in Chinese Women Writers' Association, eds., The Muse of China: A Collection of Prose and Short Stories. Taipei: Chinese Women Writers' Association, 1974, 61-94. Also in Green Seaweed and Salted Eggs.
  • "Lunar New Year's Feast." Tr. Hsin-sheng C. Kao. In Joseph S.M. Lau, ed., The Unbroken Chain: An Anthology of Taiwan Fiction Since 1926. Bloomington: IUP, 1983, 68-73.
  • My Memories of Old Beijing. Tr. Nancy Ing and Chi Pang-yuan. HK: Chinese University Press, 1992. Excerpted as "Memories of Old Peking: Huian Court." Tr. Cathy Poon. Renditions, 27-28 (1987): 19-48.

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Famous quotes containing the word works:

    “The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
    —Henry David Thoreau (1817–1862)

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)