Style
Libeaus Desconus is a late-fourteenth century Middle English poem of around 2200 lines (the exact number of lines varies amongst the six manuscripts). Like many Middle English romances (e.g. The Wedding of Sir Gawain and Dame Ragnelle and Emaré) the poem is divided into stanzas of tail-rhyme verse, a rhyming couplet followed by a tail-rhyme, repeated four times in each stanza in a scheme like aabccbddbeeb.
Writing principally in a dialect of southern England, possibly the SE Midlands, Thomas Chestre has been described as a 'hack writer' who had an acquaintance with a number of other Middle English romances and was able to borrow from them, often retaining the different dialects of the bits and pieces he incorporated into his own poetry. Libeaus Desconus was written for a more popular audience than the Old French romances on which it models itself.
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Famous quotes containing the word style:
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)
“A church that can never have done with excommunicating Christ while it exists! Away with your broad and flat churches, and your narrow and tall churches! Take a step forward, and invent a new style of out-houses. Invent a salt that will save you, and defend our nostrils.”
—Henry David Thoreau (1817–1862)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)