Production
Guiton's documentary notes that from the outset Leos Carax wanted to make a simple film, originally talking about doing it with a small team, in black and white and via Super 8. His first movie Boy Meets Girl had been a small affair, whereas Mauvais Sang had been considerably larger and more costly, albeit more successful at the boxoffice.
From the start, basing a movie on a public bridge in the centre of Paris was complicated. The production team wanted to block off the bridge for 3 months. This was immediately deemed impractical, and the creation of a model was proposed and created by the set designer Michel Vandestein. Initially the intention was to film the daylight scenes on the actual bridge, and the night time scenes on the simplified model. At this point the budget of between 8 and 9 million francs had to be adjusted by 5 million. A search for locations across Europe ended up back in France - the town of Lansargues, in the department of Hérault in southern France. Construction began.
At this time the mayor of Paris gave the authorisation for filming in Paris on the Pont Neuf - between 28 July and 18 August. While tying his shoe on set, lead actor Denis Lavant injured the tendon in his thumb so badly that filming could not be completed in the given time. The insurers were called - Carax was pressured to recast the male lead. However the director insisted that he could not recast or change his approach to the film to allow for Lavant's injury. Immediately the solution was clear - the Lansargues model was to be extended for daytime use. At this point only a few minutes of footage had been shot.
The producers secured a further 9 million to develop the set. This extra budget seemed too low given the extent of work required at the Lansargues site. It soon became obvious that more money would be required before shooting could resume. Without this funding the producers were obliged to accept an insurance payment that would settle outstanding debts but not allow any further work. Production was shut-down. A frustrated cast and crew took time off to relax and it was not until the Cannes festival in 1989 that Dominique Vignier, together with the Swiss millionaire Francis von Buren, agreed to undertake the funding based on the few short rushes filmed a year before.
In the documentary Von Buren clearly states that he was deceived about the upcoming costs he would be forced to take on. The number of 30 million francs, given for the total cost of construction and to finish the film, was not nearly enough; the final number from this stage would be closer to 70 million francs. He withdrew his funding late in 1989 with an estimated loss of 10 million francs. Yet again, production stopped. From October 1989 to June 1990 the only person at the site in Lansargues was the guard - and a number of storms followed over that winter causing massive water damage to the uncompleted set.
At the Cannes festival in 1990 Christian Fechner allocated 70 million francs in order to finish the film. Unable to find financing partners, he provided his own money, purchasing both rights and debts of the picture. The picture was finished on 22 December 1990 and premiered out of competition at the 1991 Cannes Film Festival before arriving in French theatres on 17 October 1991. The film had 867,197 Admissions in France where it was the 34th highest earning film of 1991. Carax's most successful film to date.
Read more about this topic: Les Amants Du Pont-Neuf
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (16131680)