Career
While attending Pratt during 1942-43, Starr worked for the Harry "A" Chesler and the Funnies, Inc. studios, contributing to the early comic book features produced at these studios. For Funnies, Inc., he began as a background artist, eventually inking Bob Oksner's pencils. He graduated to drawing for early Timely/Marvel Comics titles, including the Human Torch and the Sub-Mariner.
Throughout the 1940s, Starr worked for a plethora of publishers of both comic books and pulps, including Better Publications, Consolidated Book, Croyden Publications, E. R. Ross Publishing, Fawcett Comics (doing Don Winslow of the Navy, 1944–46), Hillman Periodicals and M. C. Combs. He worked with Joe Simon and Jack Kirby on their earlier romance comics titles, in particular the Crestwood/Prize title Young Romance.
In the late 1940s, he drew for EC Comics, including War Against Crime, before working both as an advertising artist and producing a large amount of work for both the American Comics Group and DC Comics titles during the early to mid-1950s. His DC work spanned a large number of covers, and work on titles as diverse as Doctor 13, House of Mystery, Gang Busters, Pow-Wow Smith, Indian Lawman and Star-Spangled War Stories, mainly prior to 1957. For ACG, he worked on Adventures into the Unknown, Operation Peril and Soldiers of Fortune among other titles. In 1955-56, he moved from comic books to comic strips with uncredited work on King Features' Flash Gordon.
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