History
The School was founded in 1904 by Samuel Myerscough(1854–1932), an acclaimed musician, teacher and examiner. Even in the School‘s infancy students traveled from throughout Ireland to attend lessons. The Musical Herald of 1 July 1909 wrote at length of Mr Myerscough‘s prominence in Irish musical life:
"The work by which Mr. Myerscough will be best remembered is the Leinster School of Music, of which he is the founder and inspiring force. .... Pupils came from as far north as Enniskillen, southwards from Waterford, and across from Galway."
In December 1941 the Irish Department of Education officially recognised the Leinster School's Teacher's Music Diploma as a qualification for teaching in secondary schools.
According to the Irish Art Handbook of 1949 the School had "become one of the most important influences on the musical life of the country as a teaching, examining body."
The School‘s original teaching staff included Madame Quinton Rosse, Madame Coslett Heller and esteemed piano tutors Patricia Read and May Cosgrave(Sister of William T. Cosgrave )
Professor Patrick Joseph Griffith, a noted teacher fiddle/violin player, and collector of Irish Music, was a Director and Professor of the school during its early years, teaching Violin and Viola.
Arthur Warren Darley composer who put music to some famous Irish ballads (The Boys of Wexford, "Boolavogue" and "Kelly the Boy from Killanne") was a professor at the school.
Read more about this topic: Leinster School Of Music & Drama
Famous quotes containing the word history:
“Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.”
—Albert Camus (1913–1960)
“As History stands, it is a sort of Chinese Play, without end and without lesson.”
—Henry Brooks Adams (1838–1918)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)