Style
Ponge stated that his overarching goal was to create a "single cosmogony" through his works, an aim readily apparent in poems like "Le Galet" which is a miniature cosmogony all by itself. Each of the works in the collection explores some object in the corporeal world, "borrowing the brevity and infallibility of the dictionary definition and the sensory aspect of the literary description". Lee Fahnestock, one of Le parti pris des choses’ translators, describes the work as "construct a new form of definition-description". The style shown in Le parti pris des choses was Ponge's first foray into what would become his definitive trademark.
Read more about this topic: Le Parti Pris Des Choses
Famous quotes containing the word style:
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)