Influence
The impact of L'Année dernière à Marienbad upon other film-makers has been widely recognised and variously illustrated, extending from French directors such as Agnès Varda, Marguerite Duras, and Jacques Rivette to international figures like Ingmar Bergman and Federico Fellini. Stanley Kubrick's The Shining and David Lynch's Inland Empire are two films which are cited with particular frequency as showing the influence of Marienbad.
Peter Greenaway said that Marienbad had been the most important influence upon his own film-making (and he himself established a close working relationship with its cinematographer Sacha Vierny).
The film's visual style has also been imitated in many TV commercials and fashion photography.
The music video for "To the End", a 1994 single by British rock group Blur, is based on the film.
This film was the main inspiration for Karl Lagerfeld's Chanel Spring-Summer 2011 collection. Lagerfeld's show was complete with a fountain and a modern replica of the film's famous garden. Since costumes for this film were done by Coco Chanel, Lagerfeld drew his inspiration from the film and combined the film's gardens with those at Versailles.
Read more about this topic: Last Year At Marienbad
Famous quotes containing the word influence:
“A bestial and violent man will go so far as to kill because he is under the influence of drink, exasperated, or driven by rage and alcohol. He is paltry. He does not know the pleasure of killing, the charity of bestowing death like a caress, of linking it with the play of the noble wild beasts: every cat, every tiger, embraces its prey and licks it even while it destroys it.”
—Colette [Sidonie Gabrielle Colette] (1873–1954)
“You can never really live anyone else’s life, not even your child’s. The influence you exert is through your own life, and what you’ve become yourself.”
—Eleanor Roosevelt (1884–1962)
“Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.”
—Simone Weil (1909–1943)