Performance
The British "Motor" magazine tested a 1500 cc car in 1961 and found it had a top speed of 92.6 mph (149.0 km/h) and acceleration from 0-60 mph (97 km/h) in 18.6 seconds. A "touring" fuel consumption of 30.0 miles per imperial gallon (9.42 L/100 km; 25.0 mpg) was recorded. On the British market it cost £1499 including taxes of £688.
By 1967 the engine size had grown to 1800 cc. Testing a four-door Flavia, rival Autocar magazine recorded a top speed of 103 mph (166 km/h), a 0-60 mph (97 km/h) time of 15.0 seconds and an overall fuel consumption of 30.0 miles per imperial gallon (9.42 L/100 km; 25.0 mpg). This put it behind the rival BMW 1800 TI for performance, though slightly ahead on fuel consumption. The testers commended the smoothness of the engine but found it lacked low speed punch. Overall they thought the performance pleasingly 'deceptive' because the car was 'faster than it feels'. The UK car market was still insulated by tariffs, but with the BMW 1800 TI retailing at £1498 and the Flavia's recommended retail price now £1909, sales volumes were clearly not a Lancia priority. From the dominant UK domestic market player, the mechanically less sophisticated Ford Corsair 2000E was retailing at £1008.
Read more about this topic: Lancia Flavia
Famous quotes containing the word performance:
“The value of old age depends upon the person who reaches it. To some men of early performance it is useless. To others, who are late to develop, it just enables them to finish the job.”
—Thomas Hardy (18401928)
“True balance requires assigning realistic performance expectations to each of our roles. True balance requires us to acknowledge that our performance in some areas is more important than in others. True balance demands that we determine what accomplishments give us honest satisfaction as well as what failures cause us intolerable grief.”
—Melinda M. Marshall (20th century)
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (18881959)