Lady Charlotte Bury - Works

Works

The following is believed to be a complete list of Lady Charlotte's writings; many of them originally appeared without her name, but even at that time there does not seem to have been any secret as to the identity of the writer:

  1. Poems on several Occasions, by a Lady 1797
  2. Alla Giornata, or To the Day anonymous, 1826
  3. Flirtation anonymous, 1828, which went to three editions
  4. Separation by the author of Flirtation, 1830
  5. A Marriage in High Life edited by the author of Flirtation, 1828
  6. Journal of the Heart edited by the author of Flirtation, 1830
  7. The Disinherited and the Ensnared anonymous, 1834
  8. Journal of the Heart second series, edited by the author of Flirtation, 1835
  9. The Devoted by the author of The Disinherited, 1836
  10. Love anonymous, 1837; second edition 1860
  11. Memoirs of a Peeress, or the days of Fox by Mrs. C. F. Gore, edited by Lady C. Bury, 1837
  12. The Three Great Sanctuaries of Tuscany: Valambrosa, Camaldoli, Lavernas a poem historical and legendary, with engravings from drawings by the Rev. E. Bury, 1833
  13. Ellen Glanville by a Lady of Rank, 1838, 2 vols
  14. Diary illustrative of the Times of George the Fourth anonymous, 1838, 2 vols
  15. The Divorced by Lady C. S. M. Bury, 1837; another edition 1858
  16. Family Records, or the Two Sisters by Lady C. S. M. Bury, 1841
  17. The Two Baronets a novel of fashionable life, by the late Lady C. S. M. Bury, 1864.

She is also said to have been the writer of two volumes of prayers, Suspirium Sanctorum, which were dedicated to Samuel Goodenough, bishop of Carlisle.

Read more about this topic:  Lady Charlotte Bury

Famous quotes containing the word works:

    “I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
    —Anton Pavlovich Chekhov (1860–1904)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)

    “To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
    —G.C. (Georg Christoph)