Lady Bertilak - Analysis

Analysis

The lady of the house, Lady Bercilak, is one of the most important characters in the poem Sir Gawain and the Green Knight. In company, she always appears with a crone beside her (who later turns out to be Gawain's aunt). The two women bracket feminine vulnerability and strength, in youth and age, and they are always together. The master of the manor (Bercilak) insists that Gawain socialize freely and sit between the two women at their dinners, and Gawain finds them most hospitable.

However, she comes alone to Gawain's chambers on three mornings in a row, each time in a more alluring form, with her last appearance being with a simple gown, her hair uncovered, and without cosmetics. Each time, she comes to Gawain's bed around dawn, when Gawain is sleeping, and she plays elaborately witty games of courtship and seduction with him. She is not quite what one may expect from a lady of a household. Her “active sexual role is hardly more representative of romance heroines than of real medieval women.” Claiming one hundred and twenty two lines of speech, she plays a quintessential role in testing Sir Gawain’s honour, loyalty, and most importantly his honesty through her sexual innuendoes, where she becomes “a potent threat to the exclusively masculine code of knightly behaviour.” Most interesting about these scenes is the dilemma Sir Gawain faces, where he must be courteous to Lady Bertilak (Knightly Code), and at the same time he must be loyal to his host. The twist occurs when Sir Gawain realizes that Lady Bertilak has been used as a tool of seduction, by her husband, in order to test Sir Gawain. This betrayal leads Sir Gawain to a twenty-one line “attack of all women for their deceptiveness and treachery.” Her character proves to be the most imperative role in the poem, for without her, the scheme against Sir Gawain would have not transpired.

Read more about this topic:  Lady Bertilak

Famous quotes containing the word analysis:

    Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.
    Thomas Mann (1875–1955)

    ... the big courageous acts of life are those one never hears of and only suspects from having been through like experience. It takes real courage to do battle in the unspectacular task. We always listen for the applause of our co-workers. He is courageous who plods on, unlettered and unknown.... In the last analysis it is this courage, developing between man and his limitations, that brings success.
    Alice Foote MacDougall (1867–1945)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)