Play
The play debuted off Broadway April 14, 2001, at the Joseph Papp Theater in New York City. It was directed by Loretta Greco, produced by George C. Wolfe, and executive produced by Fran Reiter. Rosemarie Tichler was the artistic producer.
The play is a montage of reminiscences, memories, testimonials and roman a clefs of "Miss Rachel," or Nanny, as the young Ruben Santiago, Jr. calls her. Largely abandoned by his parents, Ruben finds that Nanny becomes his surrogate family. Various incidents in Ruben's and Nanny's life are portrayed, with a large cast of quirky minor characters—friends, boarders, family members, visitors, relatives, and so on—providing commentary on Nanny's strength of character, intelligence, and morality.
The play included several songs, either sung by the characters in the play or as ambient music heard via a radio or through a window. Bill Sims Jr. provided the original music, as well as performing on-stage acoustic guitar for the play.
Lackawanna Blues is intended to be a one-man show. The actor narrating the play (an adult Ruben) was intended to portray more than 20 other characters, as well as the starring role of the young Ruben.
The play was very well received. The New York Times called it a "tour de force." Playwright Ruben Santiago-Hudson won an OBIE special citation for Lackawanna Blues, while Bill Sims, Jr. won an OBIE for his music.
Read more about this topic: Lackawanna Blues
Famous quotes containing the word play:
“I have no acting technique.... I act instinctively. That’s why I can’t play any role that isn’t based on something in my life.”
—Ethel Waters (1900–1977)
“Oh, play that thing! Mute glorious Storyvilles
Others may license, grouping round their chairs
Sporting-house girls like circus tigers....”
—Philip Larkin (1922–1986)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)