Changes in Ownership of Studio and Record Label
In 1992 Kramer sold his Noise New York recording studio and moved just across the Hudson River, where he'd found a house going into foreclosure with a state-of-the-art 24-track recording studio built in. He dubbed the studio Noise New Jersey, and continued to produce recordings there, including, most famously, Urge Overkill's cover of "Girl, You'll Be a Woman Soon". However, family illness and personal challenges weighed on him during these years, and the pressures of balancing his profile as an artist with his work as a producer and label head proved too heavy. Though it was during this time that he produced some of his greatest recordings, the consistency of his output had begun to suffer. It was at this point in time that Kramer began to look for a way to move the day-to-day management of Shimmy-Disc into what he had hoped in vain would be more able hands.
Shortly following the sale of Shimmy Disc and his recording facility to the Knitting Factory in 1998 (in which he was contracted to play a continuing role in the label as producer and Director of A&R), Kramer sued the Knitting Factory for breach of contract and soon found himself without a creative base for the first time in his professional career. This experience left him emotionally devastated and looking to exit the music business without delay. He did so immediately following his last European tour in November 1999, dubbed "The Last Tour of the Century", which, according to Magnet magazine, was "a creative flop and a financial bust."
Read more about this topic: Kramer (musician)
Famous quotes containing the words ownership, studio, record and/or label:
“They had their fortunes to make, everything to gain and nothing to lose. They were schooled in and anxious for debates; forcible in argument; reckless and brilliant. For them it was but a short and natural step from swaying juries in courtroom battles over the ownership of land to swaying constituents in contests for office. For the lawyer, oratory was the escalator that could lift a political candidate to higher ground.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)
“Again and again, I struggled though the storm. Once I fainted—and it wasn’t in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside.... The blizzard never slackened.”
—Lillian Gish (1896–1993)
“Death is another milestone on their way.
With laughter on their lips and with winds blowing round them
They record simply
How this one excelled all others in making driving belts.”
—Stephen Spender (1909–1995)
“... beauty, like ecstasy, has always been hostile to the commonplace. And the commonplace, under its popular label of the normal, has been the supreme authority for Homo sapiens since the days when he was probably arboreal.”
—Ellen Glasgow (1873–1945)