Purpose
The kouros type appears to have served several functions. It is certain that it was used to represent the god Apollo, as attested by its depiction on a vase painting in the presence of suppliants, as does the description of the statue of the Pythian Apollo at Samos by Diodoros as "Egyptian works, with his arms hanging by his sides and his legs parted". However, not all kouroi are images of a deity; many have been discovered in cemeteries where they most likely served as commemorative tombstones of the deceased, also the type was used as a memorial for victors in the games (like trophies) (Pausanias describes the statue of Arrhichion, an Olympic pankratiast, as in the kouros scheme), and some kouroi have been found in sanctuaries other than that of Apollo. Indeed some kouroi placed in sanctuaries were not inscribed with the name of the god but with a mortal, for example the 'Delphi Twins' Kleobis and Biton were honoured for their piety with matching kouroi.
A direct influence between Egyptian monumental sculpture (in particular the figure of Horus) and the kouros type has long been conjectured, not least of all because of known trade and cultural relations that had existed since the mid-seventh century. A 1978 study by Eleanor Guralnick applied stereophotogrammetric measurement and cluster analysis to a number of Greek and Egyptian statues and found the correlation between the Second Canon of the 26th Dynasty and Greek kouroi to be widely distributed but not universal.
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