Elements of Kouji Performance
Mimicry – The principle and most difficult element of a Kouji performance is of course the vocal mimicry. It has neither a theoretical basis nor a concrete standard framework, and instead relies on the performer’s own talent and hard work in attempting to imitate the sounds of their environment.
Dialogue – It is often necessary to use an appropriate amount of dialogue to accompany vocal mimicry in a Kouji performance. The main aim of using dialogue is to strengthen the connection between the performer and the audience. Dialogue is used as an introduction and a guide throughout the performance. It may be carried out in the form of narration, poetry recitation, or Shuo-chang (Talk-sing) monologues which may be used to introduce a performance.
Humor – Use of comedy serves to enrich a Kouji performance by providing an entertaining context in which to use vocal mimicry. Through humor the audience is invited to follow their innate instinct and laugh at the comical noises coming from the mouth of the performer. Humor fills out and gives character to a performance.
Singing – Often singing is also used in Kouji in order to reference well known songs. In addition, some Kouji performers may also choose to imitate the singing voice of a particular recording artist to display the extent of their vocal mimicry skills.
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