Description
The dance is accompanied by instrumental two-beat music (bearing the same name), performed most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica, or šargija.
Many variations of Kolo are normally performed at weddings, social, cultural, and religious ceremonies. Kolo may be performed in a closed circle, a single chain or in two parallel lines. Both men and women dance together, however some dances require only men to dance and some dances are only for women. The music is generally fast paced and contains tricky steps. Kolo costumes vary from region to region, but Bosnian and Serbian dance costumes typically are the most similar to each other. Men wear a cap, loose blouse tucked in to trousers that balloon around the thighs and then tightening from the knee down to the ankle. Women wear long white embroidered dresses with very heavy velvet aprons tied at the waist. Both the dress and apron are embroidered with bright flowers to enhance the females outfit. Generally, both men and women wear embroidered velvet vests. One of the most interesting components of the kolo costume are the shoes. The shoes are called Opanci which are made from cured pig skin that is molded to fit the dancers foot.
Read more about this topic: Kolo (dance)
Famous quotes containing the word description:
“Once a child has demonstrated his capacity for independent functioning in any area, his lapses into dependent behavior, even though temporary, make the mother feel that she is being taken advantage of....What only yesterday was a description of the childs stage in life has become an indictment, a judgment.”
—Elaine Heffner (20th century)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Pauls, like the editions of Balbec and Palmyra.”
—Horace Walpole (17171797)
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the months labor in the farmers almanac, to restore our tone and spirits.”
—Henry David Thoreau (18171862)