Klaatu (band) - Animated Film Project

Animated Film Project

In 1977 Al Guest and Jean Mathieson of Rainbow Animation were commissioned by Capitol Records to create the first animated rock video of the Klaatu song "A Routine Day". They shot the band members but obscured their identities by rotoscoping them and turning them into drawings. This video ran on Don Kirshner's Rock Concert and subsequently played as a short in Los Angeles on the same bill as Animal House.

Following that, Guest and Mathieson got permission from Capitol Records to create a vehicle for Klaatu's songs. They wrote and directed a half-hour television special they titled Happy Hew Year Planet Earth, hoping that it would get yearly broadcasts as an alternative to Christmas specials. New Year's Eve was Mathieson's birthday. Again the group Klaatu was photographed and rotoscoped, with an astronaut wraparound created to connect the six Klaatu songs. Although the project was completed, Guest and Mathieson were burned by their Canadian film investment group and wound up financing it themselves. They never released it.

The only example of the project that has ever seen the light of day is the video for "A Routine Day", which was the original broadcast rock video. However, in 2005 the group permitted the film to be screened in its uncompleted state at the KlaatuKon convention in Toronto.

Read more about this topic:  Klaatu (band)

Famous quotes containing the words animated, film and/or project:

    Uncle Ben’s brass bullet-mould
    And powder horn, and Major Bogan’s face
    Above the fire, in the half-light, plainly said
    There’s naught to kill but the animated dead;
    Allen Tate (1899–1979)

    To read a newspaper for the first time is like coming into a film that has been on for an hour. Newspapers are like serials. To understand them you have to take knowledge to them; the knowledge that serves best is the knowledge provided by the newspaper itself.
    —V.S. (Vidiadhar Surajprasad)

    Indigenous to Minnesota, and almost completely ignored by its people, are the stark, unornamented, functional clusters of concrete—Minnesota’s grain elevators. These may be said to express unconsciously all the principles of modernism, being built for use only, with little regard for the tenets of esthetic design.
    —Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)