Stage Career
Baggot began his career on the stage in a Shakespearean stock company and toured throughout the U.S. Following his first engagement, he performed under the management of Liebler and Company, one of the foremost producing companies at that time. He also toured under the management of Frohman, and the Shuberts, and played five weeks in New York in The Queen of the Highway. Other plays in which he appeared include the comedy revival Mrs. Wiggs of the Cabbage Patch, which had a run on Broadway in 1906, Salomy Jane and In the Bishop's Carriage.
While acting in stock in St. Louis, in the summer of 1909, Baggot worked with Marguerite Clark in Peter Pan and The Golden Garter. In the two weeks that remained of the season, he played small roles in Frou Frou and Jenny, which both starred Countess Venturini. When the season closed, he was cast as supporting player with Marguerite Clark in the Schubert touring production of The Wishing Ring, which was adapted by Owen Davis from a Dorothea Deakin story. Another cast member, Cecil B. DeMille, also staged the play.
When The Wishing Ring closed in Chicago, Baggot returned to New York to join another company. Upon a chance meeting with Harry Solter, who was directing movies for Carl Laemmle at Independent Moving Pictures Company (IMP), he was persuaded to go with Solter to the studio. Movies were then looked down on by the dramatic profession as a mere recording of stunts, but Baggot went along. He was amused at the violent gestures and jumping around of the players, taking none of it seriously. Baggot, however, became interested in the fledgling industry and later decided to give it a try and turn picture player.
Read more about this topic: King Baggot
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