Not Included
Numerous noteworthy tracks used in the film and to advertise it were not included in the soundtrack album:
- Nora Orlandi's "Dies Irae" — used in the conversation between Bill and Budd.
- "Ay Que Caray" by Marilu Esmeralda Aguiluiz — source music in the strip club.
- "Budd's Trailer Suspicions" — original, incidental music by Robert Rodriguez, heard when The Bride lurks around Budd's trailer.
- "A Fistful of Dollars (prima)" by Ennio Morricone, from A Fistful of Dollars — heard as Budd spits on the bride and injects her with tranquilizers.
- "Il mercenario (ripresa)" by Ennio Morricone, from the film The Mercenary — heard as Budd seals The Bride in the coffin.
- "Pai Mei Theme" — original incidental music by Robert Rodriguez; heard as The Bride ascends the stairs to Pai Mei's temple.
- "Title Theme from Three Tough Guys" by Isaac Hayes — used for the Bride/Pai Mei fight training sequence.
- "Invincible Pole Fighter" by Sho Chun Hou & Stephen Shing; used for The Bride's training montage with Pai Mei.
- "Sunny Road to Salina" performed by Christophe and composed by Bernard Girard — used for The Bride's march through the desert, frequently used in Kill Bill ads.
- The "Budd Twang" — original guitar piece by Robert Rodriguez, one version heard after Budd shoots the Bride, another when Elle is about to escape with the cash.
- "I giorni dell'ira" (Days of Anger) by Riz Ortolani — When Elle does a mid air kick toward the Bride with sound effects.
- "The Demise of Barbara and the Return of Joe" by Ennio Morricone, from Navajo Joe, used for the death of Bill.
Read more about this topic: Kill Bill Vol. 2 Original Soundtrack
Famous quotes containing the word included:
“One feels inclined to say that the intention that man should be happy is not included in the plan of Creation.”
—Sigmund Freud (18561939)
“People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent the past and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.”
—Johan Huizinga (18721945)