Production
Larry Clark was reported to have said that he wanted to "make the Great American Teenage Movie, like the Great American Novel." The movie is filmed in a quasi-documentary style, although all of the scenes are scripted.
In Kids, Clark cast New York City "street" kids with no previous acting experience in the film, notably Leo Fitzpatrick (Telly) and Justin Pierce (Casper). Clark originally decided he wanted to cast Fitzpatrick in a film after watching him skateboard in New York, and cursing himself when he could not land certain tricks. Korine had met Chloë Sevigny in New York before production began on Kids, and cast her in a small role as one of the girls in the swimming pool. She was later given the leading role of Jennie when the actress hired to play her (Mia Kirshner) was fired. Sevigny and Korine later went on to make Gummo (1997) together. Korine himself makes a cameo in the club scene with Jennie, as the kid wearing glasses and a Nuclear Assault shirt who gives her drugs, though the part is credited to his brother Avi.
Korine reportedly wrote the film's screenplay in 1993, at the age of 18, and principal photography took place during summer 1994. Contrary to perceptions on the part of many viewers, the film, according to Korine, was almost entirely scripted, with the only exception being the scene with Casper on the couch at the end, which was improvised. Gus Van Sant had originally been attached to the film as a producer. After insufficient interest had been generated in the film, he left the project; under incoming producer Cary Woods, the project found sufficient independent funding for the film. Harvey Weinstein of Miramax, wary of (or perhaps even pressured by) the parent Walt Disney Company's opinion of the risky screenplay, declined to involve Disney in funding the production of the film. After Woods showed him the final cut, however, Miramax paid $3.5 million to buy the worldwide distribution rights of this film.
Read more about this topic: Kids (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)