Ports and Related Releases
In 1987, Data East released ports of the game for the NES, Commodore 64, and Apple II. Curiously, all home versions of the game show screen shots from the graphically superior arcade version on the back of their packages. Although it is an Irem game, the home ports were one of the more successful games released by Data East.
In Japan, two sequels appeared for the Famicom. The first was Kaiketsu Yanchamaru 2: Karakuri Land in 1991, and the second was Kaiketsu Yanchamaru 3 in 1993. Each of the three NES/Famicom titles feature radically different character designs.
There was also a Game Boy sequel called Ganso!! Yanchamaru in 1991. This portable sequel is a unique game and not a port of one of the existing Kid Niki/Yanchamaru titles.
Kid Niki makes a cameo appearance in Irem's NES game, Kickle Cubicle. To see Kid Niki, hold down the A button on Controller 2, and then turn on the game. Continue holding A until the title screen appears, and Kid Niki will appear. This trick also works on the Famicom version of Kickle Cubicle.
Read more about this topic: Kid Niki: Radical Ninja
Famous quotes containing the words ports and, ports, related and/or releases:
“All places that the eye of heaven visits
Are to a wise man ports and happy havens.”
—William Shakespeare (1564–1616)
“All places that the eye of heaven visits
Are to a wise man ports and happy havens.”
—William Shakespeare (1564–1616)
“Perhaps it is nothingness which is real and our dream which is non-existent, but then we feel think that these musical phrases, and the notions related to the dream, are nothing too. We will die, but our hostages are the divine captives who will follow our chance. And death with them is somewhat less bitter, less inglorious, perhaps less probable.”
—Marcel Proust (1871–1922)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)