Ken Stott - Career

Career

Stott's early work focused on theatre with a notable leading role in the dramatization of Dominic Behan's play about the Northern Ireland troubles 'The Folk Singer; (Belfast Lyric Theatre). Stott appeared in small roles in BBC series such as Secret Army (1977), The Complete Dramatic Works of William Shakespeare (King Lear, 1982), and Dennis Potter's The Singing Detective (1986). He also featured in an advert for the British COI's "Drinking And Driving Wrecks Lives" campaign, playing a fireman. He eventually began to earn starring roles on television in the 1990s.

His highest-profile television roles have included hospital radio DJ Eddie McKenna in BBC Scotland's Takin' Over The Asylum the leading character, DCI Red Metcalfe, in the BBC crime drama series Messiah (BBC One, 2001–05); DI Chappell in ITV police drama The Vice (1999–2003); as a drunk who fantasises about finding redemption by joining the Salvation Army in Promoted to Glory (ITV, 2003); as Adolf Hitler in Uncle Adolf (ITV, 2005) and as a fictional Chancellor of the Exchequer in Richard Curtis's The Girl in the Café (BBC One, 2005). 2006 saw him take over the title character in detective series Rebus, a television adaptation of the Ian Rankin novels which had previously starred John Hannah. In 2008 Stott was nominated for a Scottish BAFTA for his performance as comedian Tony Hancock in BBC Four's Hancock and Joan. His most recent television role was as the father of cookery writer Nigel Slater in the BBC One adaptation of Slater's autobiographical novel Toast, opposite Helena Bonham Carter and Freddie Highmore.

On the big screen, he has tended to play mostly supporting parts, such as DI McCall in Shallow Grave (1994), Ted in Fever Pitch (1997), Marius Honorius in King Arthur (2004), an Israeli arms merchant in Charlie Wilson's War (2007) and Trufflehunter, a badger loyal to Prince Caspian in The Chronicles of Narnia: Prince Caspian (2008). However, he has had occasional starring roles in the cinema, most notably opposite Billy Connolly and Iain Robertson in The Debt Collector (1999) and Plunkett and Macleane of the same year. Most recently he has been cast as Balin in the upcoming live-action adaptation of The Hobbit. Stott played a supporting role as Dexter Mayhew's father in One Day (2011) starring Anne Hathaway and Jim Sturgess.

Stott has continued to act on stage, and in 1997 was nominated for Best Actor at the Laurence Olivier Awards for his role in the Yasmina Reza play Art in which had appeared with Albert Finney and Tom Courtney. In 2008 Stott starred in another West End production of a Reza play, this time God of Carnage, alongside Tamsin Greig, Janet McTeer and Ralph Fiennes at the Gielgud Theatre. He starred in a revival of Arthur Miller's A View From The Bridge at the Duke of York's Theatre in early 2009 and reprised his role of Michael in God of Carnage on Broadway (as a replacement for James Gandolfini) at the Bernard B. Jacobs Theatre in New York.

He is a popular choice for voice work, as narrator for series such as Trawlermen, a documentary following North Sea trawlers, and Send in the Dogs, following the work of UK Police Officers and their K9 partners.

Read more about this topic:  Ken Stott

Famous quotes containing the word career:

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)