Production
Kekko Kamen is a female superhero whose costume consists solely of red boots, gloves, scarf and a mask with long bunny-like ears. Her fighting style is graceful, and her finishing move involves driving the opponent to the ground with a flying headscissors takedown which presses her groin into the victim's face. While regularly considered as a hentai series, it doesn't have many explicit sexual situations, neither in the manga, anime or live-action series, though there is abundant female nudity in all of them.
Kekko Kamen is a parody of Gekko Kamen. It was originally a joke that Nagai sent to his editor expecting him to reject it. His editor, however, loved the idea and that started Kekko Kamen. As well as the similarity in name, both Kekko Kamen's and Gekko Kamen's true identity is never revealed. Even the name of the main antagonist is a parody: in Gekko Kamen it's Claw of Satan (サタンの爪, Satan no Tsume?) while in Kekko Kamen it's Toenail of Satan (サタンの足の爪, Satan no Ashi no Tsume?).
Ten live-action films have been made of Kekko Kamen, along with one OVA series. A photobook has also been made, featuring a martial artist as Kekko Kamen. A sequel photobook featuring Kekko Kamen's daughter, Kurenai Kamen, has also been made.
The theme song for Kekko Kamen (used in anime and tokusatsu adaptations as well as the original manga) uses the same lyrics for the theme song to Moonlight Mask, but with changes.
Read more about this topic: Kekko Kamen
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)